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For the first time, ninety of the designers? typefaces are catalogued chronologically in a three-part volume, comprising the history of their development; exclusive type specimens; and detailed illustrations of projects in which they appear.With a foreword by Björk?whose collaboration with M/M spans over two decades?this encyclopaedic volume traces the distinctive and integral nature of type, lettering, and signs in the work of M/M, from one-off artistic commissions to fashion branding and their long-lasting collaborations with musicians and theatres.This complete typographic collection is the perfect companion to the two-volume monograph M to M of M/M (Paris), and will appeal not only to graphic designers, historians, and students, but to anyone interested in art and visual culture.bron: Copyrightbookshop

Grafische vormgeving --- Vormgeving --- Typografie --- Grafische vormgeving ; muziekindustrie --- Grafische vormgeving ; 21ste eeuw --- Grafische vormgevers ; typografen ; 21ste eeuw ; M/M (Paris) --- Gebruiksgrafiek; digitale typografie --- Digitale grafische vormgeving ; typografie ; lettertypes --- Björk --- 766.07 --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators A-Z --- 766.22.07 --- Grafische industrie en ontwerp ; schrift ; typografie ; typografen --- Amzalag, Michaël --- Augustyniak, Mathias

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Graphic arts --- graphic arts --- visuele communicatie --- onderzoek in de kunsten

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This book is a tool kit to create new forms. It deals with grid-based design and gives the reader techniques to develop new forms, fonts, logos, and patterns. The concept represents a design process in which individual decisions follow much larger and deeper principles than immediate and spontaneous-intuitive actions. Using a wide variety of examples, each chapter contains a detailed description of the procedure from form analysis to setting up design rules and their application. Both a workbook and a source of inspiration, this publication provides designers and architects with the tool they need to find analytical forms?analog, algorithm-based, exploratory but never of arbitrary origin. The procedures described allow an almost infinite number of possibilities. The designer is thus transformed from inventor to interpreter or curator, who assesses individual forms for logos, fonts or patterns on the fl y and ensures that the design process is always efficient and goal-oriented.

Design --- Graphic design (Typography) --- Algorithms --- Grids (Typographic design) --- Computer-aided design --- Arts graphiques --- Algorithmes --- Gabarits (Arts graphiques) --- Conception assistée par ordinateur --- rasters --- layout --- 766.02 --- grafische vormgeving --- grafisch design --- grafisch ontwerp --- grids

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Suuronen, Matti --- Taanila, Mika