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Epic literature, Sanskrit --- Sanskrit epic literature --- Sanskrit literature --- History and criticism. --- Karṇa --- Anga-Raja --- Rādheya --- Sutaputra --- Vasusena --- Mahābhārata --- Makhabkharata --- Mahabarat --- Mahabarātah --- Characters. --- In literature. --- Karṇa (Hindu mythology) in literature. --- Karma in art. --- Karna (Hindu mythology) in literature. --- Mahabharata
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Vyāsa is the primary creative poet of the Sanskrit epic Mahābhārata and 'Vyāsa Redux' examines the many paradoxical dimensions of his narrative virtuosity in the poem where the poet is both the creator of the work and a character within it. The book also studies elements in the poem which have been received by the late Bronze Age poets who composed the figure of Vyāsa, elements that reflect kinship, polity and modes of mnemonic inspiration. Three paired concepts function within the poem's narrative process: first, the central approach of the book is founded upon the distinction between plot and story, that is, the causal relation of events as opposed to the temporal relation of events. Second, much of the argument then engages with how this distinction relates to the difference between the preliterate and literate phases of our present text. Third, the nature of how inspiration functions and how edition operates becomes another vital component in our analytic process explaining how Vyāsa becomes a dramatic, causal and at times prophetic character in the poem's narration as well as its originator.
Vyāsa. --- Vētaviyācar --- Viyācar --- Kr̥ṣṇa Dvaipāyana Vyāsa --- Vyāsa, Kr̥ṣṇa Dvaipāyana --- Kritsanathwaipāyanawyāt --- Вьяса --- Vʹi︠a︡sa --- 毗耶娑 --- Vedavyāsa --- Mahābhārata --- Makhabkharata --- Mahabarat --- Mahabarātah --- Criticism, interpretation, etc.
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So Bhisma, the son of Samtanu, Grand-father of the Bharatas, Learned, a knower of time and place, knower of truth, aware of all dharmaA plethora of complex and nuanced characters populate the Sanskrit epic Mahabharata. One in particular stands tall even today as the face of moral authority Bhisma Devavrata, the eldest of the Kuru clan. In this book, the prolific scholar of Indic and Greek classics, Kevin McGrath, studies in microscopic detail the authority of this pitamaha, ‘grand-father’/patriarch and explores why he still resonates with 21st century India. Does Bhīṣma leave a lasting impression on us because of his steadfast loyalty and maintaining of vows, even when dharma dictates that he do otherwise? Or, if we could challenge conventional wisdom, is it because Bhisma (and not Arjuna) is the sole recipient and embodiment of cosmic inspiration from Krishna?Relying on close and careful readings of the Bombay and Pune Critical editions of the grand epic and drawing mainly on the text of the latter, this book describes the manner in which Bhisma negotiates the tortuous path of honourable and principled living. It describes how Bhisma’s express decisions pave the way for the collapse of his clan and the partition of the kingdom, despite his consistent efforts to prevent it. This book is the first study to view Bhisma as a hero and moral authority. This elegant literary exploration into one of the world’s great epics will interest students and scholars of South Asian studies, cultural studies and the classics.
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Why should Arjuna, a late Bronze Age hero in the epic Mahabharata, be worshipped today and receive popular devotion, not just in India but throughout the world? Mahabharata scholar Kevin McGrath addresses this question through an examination of Arjuna s presence in the Pune Critical Edition of the epic. According to him, the heroic Arjuna, the perfect warrior, acquired such significance because of his dual nature he exists simultaneously in two worlds, the human and the supernatural. This duality is intrinsic to the nature and character of Arjuna, as well as to the narrative of the epic itself. Through his text-based analysis of the mortal-immortal Arjuna s significance, the author explores what charaterises this category of hero , figures who are neither deities nor simple mortal beings, but who make up a unique group of beings by themselves. He also draws connections between the myth of poetry and its potential for ritual and cult; the book is a commentary on the poetic thought processes that formed the basis of the early tradition of composition in preliterate poetry. As the first study of the late Bronze Age period in which the Mahabharata is set, McGrath also provides us with an understanding of how kinship systems worked during that time, and how political alliances functioned. With its well-tested and innovative concepts and methods of analysis that will change contemporary understandings of epic heroes and heroines, this book will appeal to students and scholars of Indian history, cultural studies, language and literature, and sociology.
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In Raja Yudhisthira, Kevin McGrath brings his comprehensive literary, ethnographic, and analytical knowledge of the epic Mahabharata to bear on the representation of kingship in the poem. He shows how the preliterate Great Bharata song depicts both archaic and classical models of kingly and premonetary polity and how the king becomes a ruler who is viewed as ritually divine. Based on his precise and empirical close reading of the text, McGrath then addresses the idea of heroic religion in both antiquity and today; for bronze-age heroes still receive great devotional worship in modern India and communities continue to clash at the sites that have been-for millennia-associated with these epic figures; in fact, the word hero is in fact more of a religious than a martial term.One of the most important contributions of Raja Yudhisthira, and a subtext in McGrath's analysis of Yudhisthira's kingship, is the revelation that neither of the contesting moieties of the royal Hastinapura clan triumphs in the end, for it is the Yadava band of Krsna who achieve real victory. That is, it is the matriline and not the patriline that secures ultimate success: it is the kinship group of Krsna-the heroic figure who was to become the dominant Vaisnava icon of classical India-who benefits most from the terrible Bharata war.
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This personal narrative about life in a remote desert region of Western India tells of how love of place and love of person find their equilibrium in a world far removed from modernity. Yet this small, distant land of kingship and pastoral life is rapidly being eroded by the new India of commerce and industrialization. The author describes how an ancient society is transformed by the culture of consumption where the lyrical beauty of balance, exchange and loyalty is translated into a single market economy. The people and places of post-Partition Kacch, where even the land and value systems of
Love --- Social change --- McGrath, Kevin, --- Travel --- Kachchh (India) --- Description and travel. --- History, Local. --- Social life and customs. --- Social conditions.
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