Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Thematology

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Mythologie [Romeinse ] in literatuur --- Mythologie romaine dans la littérature --- Mythology [Roman ] in literature --- Centos --- Epic poetry, Latin --- Mythology, Roman, in literature. --- History and criticism. --- Adaptations --- Virgil --- Appreciaton --- Parodies, imitations, etc. --- Mythology, Roman, in literature --- Latin epic poetry --- Latin poetry --- Cento verse --- Collage poems --- Mosaic poems --- Patchwork poems --- Patchwork poetry --- Poetry --- Pasticcio --- History and criticism --- Adaptations&delete& --- Vergil --- Virgile --- Virgilio Máron, Publio --- Virgilius Maro, Publius --- Vergili Maronis, Publius --- Appreciation --- Vergilius Maro, Publius --- Rome --- Epic poetry [Latin ] --- Virgilius Maro, Publius, --- Virgilio Marone, P., --- Vergilīĭ, --- Virgile, --- Vergílio, --- Wergiliusz, --- Vergilīĭ Maron, P. --- Vergilīĭ Maron, Publīĭ, --- Verhiliĭ Maron, P., --- Vergil, --- Virgilio, --- Virgilīĭ, --- Virgilius Maro, P., --- Virgil Maro, P., --- ווירגיל, --- וירגיליוס, --- ורגיליוס, --- מרו, פובליוס ורגיליוס, --- فرجيل, --- Pseudo-Virgil, --- Pseudo Virgilio, --- Virgilio Marón, Publio, --- Bhārjila, --- Vergilius Maro, P. --- Vergilius --- Virgilio Marone, P. --- Vergilīĭ --- Vergílio --- Wergiliusz --- Vergilīĭ Maron, Publīĭ --- Verhiliĭ Maron, P. --- Virgilio --- Virgilius Maro, P. --- Virgil Maro, P. --- Pseudo-Virgil --- Pseudo Virgilio --- Virgilio Marón, Publio --- Bhārjila --- Marone, Publio Virgilio

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In response to critics who charged him with plagiarism, Virgil is said to have responded that it was easier to steal Hercules' club than a line from Homer. This was to deny the allegations by implying that Virgil was no plagiarist at all, but an author who had done the hard work of making Homer's material his own. Several other texts and passages in Latin literature provide further evidence for accusations and denials of plagiarism. Plagiarism in Latin Literature explores important questions such as, how do Roman writers and speakers define the practice? And how do the accusations and denials function? Scott McGill moves between varied sources, including Terence, Martial, Seneca the Elder and Macrobius' Virgil criticism to explore these questions. In the process, he offers new insights into the history of plagiarism and related issues, including Roman notions of literary property, authorship and textual reuse.

Imitation (littérature) --- Imitation in literature. --- LITERARY COLLECTIONS / Ancient, Classical & Medieval --- Ancient, Classical & Medieval --- Latin literature --- Plagiarism. --- Literary collections --- History and criticism. --- Ancient, Classical & Medieval. --- Imitation in literature --- Plagiarism --- Authorship --- Copyright infringement --- Literary ethics --- Literature --- Quotation --- Torts --- Originality in literature --- Literary style --- Mimesis in literature --- History and criticism --- Littérature latine --- Plagiat --- Histoire et critique --- Plagiat. --- Histoire et critique. --- Arts and Humanities --- History --- Littérature latine --- Imitation (littérature)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

What do forgeries do? This book explores that question with a focus on forgery in ancient Rome and of ancient Rome. Its chapters reach from antiquity to the twentieth century and cover literature and art, the two areas that predominate in forgery studies, as well as the forgery of physical books, coins, and religious relics. The book examines the cultural, historical, and rhetorical functions of forgery that extend beyond the desire to deceive and profit. It analyses forgery in connection with related phenomena like pseudepigraphy, fakes, and copies; and it investigates the aesthetic and historical value that forgeries possess when scholarship takes seriously their form, content, and varied uses within and across cultures. Of particular interest is the way that forgeries embody a desire for the ancient and for the recovery of the fragmentary past of ancient Rome.

Classical antiquities --- Forgery --- Art, Roman --- Literary forgeries and mystifications. --- Forgery of antiquities. --- Faux --- Antiquités --- Antiquités gréco-romaines --- Art romain --- Faux et supercheries littéraires. --- Forgery. --- Forgeries. --- History --- History. --- Social aspects. --- Histoire. --- Aspect social. --- Faux. --- Histoire --- Rome (Empire).

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Virgil's Aeneid XI is an important, yet sometimes overlooked, book which covers the funerals following the fierce fighting in Book X and a council of the Latins before they and the Trojans resume battle after the end of the truce. This edition contains a thorough Introduction which provides context for Book XI both within and beyond the rest of the poem, explores key characters such as Aeneas and Camilla, and deals with issues of metre and textual transmission. The line-by-line Commentary will be indispensable for students and instructors wishing to enhance their understanding of the poem and especially of Virgil's language and syntax. Accessible and comprehensive, the volume will help readers to appreciate features of Virgilian style as well as deepening their engagement with the content and themes of the Aeneid as a whole.

Latini (Italic people) --- Trojans --- Aeneas --- Aeneas (Legendary character) --- Epic poetry, Latin