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Motion pictures

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Mass communications --- Television series. --- Téléromans. --- Séries télévisées --- #SBIB:309H1520 --- #SBIB:309H520 --- Radio en/of televisieprogramma’s: algemene werken (functies, genres, taalgebruik, historiek) --- Audiovisuele communicatie: algemene werken --- Grande-Bretagne --- 1970-.... --- Histoire et critique --- États-Unis --- Téléromans. --- Séries télévisées --- États-Unis

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In a market long dominated by Hollywood, French films are consistently the most widely distributed non-English language works. French cinema, however, appears to undergo a transformation as it reaches Britain, becoming something quite different to that experienced by audiences at home. Drawing on extensive archival research the authors examine in detail the discourses, debates and decisions which have determined the place accorded to French cinema in British film culture. In so doing they provide a fascinating account of this particular instance of transnational cinematic traffic while simult

Motion pictures, French --- Motion pictures --- History --- archival research. --- art history. --- artistic. --- audiences. --- british film culture. --- british film. --- cinema. --- continental films. --- culture. --- detailed history. --- engaging. --- europe. --- european film industry. --- film distribution. --- film exhibition. --- film history. --- film markets. --- film society. --- foreign films. --- french cinema. --- french films. --- historical. --- history criticism. --- hollywood. --- humor and drama. --- page turner. --- performing arts. --- pop culture. --- retrospective. --- romance.

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A series of limiting definitions have tended to delineate the Franco-British cinematic relationship. As this collection of essays reveals, there is much more to it than simple oppositions between British critical esteem for the films of France and French dismissal of 'le cinéma British', or the success of Ken Loach et al. at the French box office and the relative dearth of French movies on British screens. In fact, there has long been a rich and productive dialogue between these two cultures in which both their clear differences and their shared concerns have played a vital role. This book pro

Art --- Motion pictures, French --- Motion pictures --- Motion pictures, British --- History

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