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"Surrealism and the Gothic is the first book-length analysis of the role played by the gothic in both the initial emergence of surrealism and at key moments in its subsequent development as an art and literary movement. The book argues the strong and sustained influence, not only of the classic gothic novel itself--Ann Radcliffe, Charles Maturin, Matthew Lewis, etc.--but also the determinative impact of closely related phenomena, as with the influence of mediumism, alchemy and magic. The book also traces the later development of the gothic novel, as with Bram Stoker's Dracula, and its mutation into such works of popular fiction as the Fantaomas series of Marcel Allain and Pierre Souvestre, enthusiastically taken up by writers such as Apollinaire and subsequently feeding into the development of surrealism. More broadly, the book considers a range of motifs strongly associated with gothic writing, as with insanity, incarceration and the 'accursed outsider', explored in relation to the personal experience and electroshock treatment of Antonin Artaud. A recurring motif of the analysis is that of the gothic castle, developed in the writings of Andre Breton, Artaud, Sade, Julien Gracq and other writers, as well as in the work of visual artists such as Magritte."--Provided by publisher.
Surrealism (Literature) --- Surrealism. --- Gothic fiction (Literary genre)
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Surrealism --- History.
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Art styles --- anno 1900-1999 --- Surrealism.
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This stimulating new collection of essays and interviews provides a fresh perspective of society's relationship with the spectral, the ghostly and the paranormal, viewed through our interaction with technology. Adopting a multidisciplinary approach and drawing upon case studies taken from photography, video and the visual arts, the book explores the 'hauntedness' of technologies and ways in which artists, writers and psychical researchers have produced and recycled the iconography of spiritualism and other mediumistic phenomena. The book provides innovative critical thinking on our continued fascination with the role of the paranormal and explores how artists and writers continue to draw upon this field in their work. Spanning the period from the nineteenth century up to the present, the book incorporates a series of case studies embracing such topics as landscape, spirit photography, photomontage, curation and sound works. Theoretically rich, it explores a range of approaches, from the vitalism of Henri Bergson to the 'hauntology' of Jacques Derrida. Contributors include prominent artists such as Susan Hiller, whose videos, photographic work and installations have contributed enormously to the creation of this field within the visual arts, and renowned specialists such as the writer Marina Warner. This book will appeal to a broad academic and cultural audience, particularly undergraduates interested in our culture's fascination with the paranormal, and postgraduates and specialists within the field, but also those interested in art and culture more generally.
Technology and the arts --- Occultism in art --- Arts and technology --- Arts --- Occultism in art. --- Dada photomontage. --- Henri Bergson. --- John Ruskin. --- contemporary art photography. --- contemporary theory. --- ectoplasm. --- ghostly phenomena. --- haunting catastrophe. --- melodrama. --- mendacity. --- paranormal phenomena. --- phonograph. --- pianola. --- slate. --- spectral emanations. --- spectral phenomena. --- spirit photography. --- spiritualism. --- visual arts. --- vitalism.
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