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Travel writing --- Natural history in literature --- Landscape in literature --- Travelers' writings, European --- English literature --- History --- History and criticism --- America --- Description and travel --- Discovery and exploration --- 800.035 --- -Natural history in literature --- -Travel writing --- -Travel --- Authorship --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- European travelers' writings --- European literature --- Taalwetenschap. Taalkunde. Linguistiek--?.035 --- -America --- -Americas --- New World --- Western Hemisphere --- Natural history in literature. --- Landscapes in literature, --- Landschappen in de literatuur --- Reisverhalen --- Amerika --- Vertalen en geografie --- Vertalen en cultuur --- Engelse letterkunde --- History and criticism. --- geschiedenis --- beschrijvingen --- vertalen --- geschiedenis en kritiek --- History. --- Description and travel. --- Discovery and exploration. --- -Taalwetenschap. Taalkunde. Linguistiek--?.035 --- -Description and travel --- 800.035 Taalwetenschap. Taalkunde. Linguistiek--?.035 --- Landscapes in literature,. --- Landschappen in de literatuur. --- Vertalen en geografie. --- Vertalen en cultuur. --- geschiedenis. --- beschrijvingen. --- vertalen. --- geschiedenis en kritiek. --- -Landscape in literature --- Travel --- Travel writing - History --- Travelers' writings, European - History and criticism --- English literature - History and criticism --- America - Description and travel --- America - Discovery and exploration --- Beschrijvingen. --- Geschiedenis en kritiek. --- Geschiedenis. --- Vertalen.

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Translation science --- English language --- Italian language --- Gardening --- Gardens in literature --- #KVHA:Toegepaste vertaalwetenschap; Italiaans --- Bedding (Horticulture) --- Agriculture --- Horticulture

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Fashion Narrative and Translation: Is Vanity Fair? combines comparative literature, fashion, and translation studies in their interactional roles. The integrated approach provides an innovative blended approach to comparative literature studies benefiting from growing fields of fashion and translation. Within the descriptive frame of fashion concepts and themes, the research furthers the analysis of multiple translations (English and Romance languages) to costume design in film adaptations, from page to screen. The eight chapters of the book are thematically structured raising crucial issues about language and literature in verbal and visual representation and questioning the translatability of the fashion lexicon and lexicography.