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130.2 --- 800.1 --- 930.85 --- Filosofie van de cultuur. Cultuurfilosofie. Cultuursystemen. Kultuurfilosofie --- Taalfilosofie --- Cultuurgeschiedenis. Kultuurgeschiedenis --- Civilization, Western. --- Creation (Literary, artistic, etc.) --- Personality and culture. --- 930.85 Cultuurgeschiedenis. Kultuurgeschiedenis --- 800.1 Taalfilosofie --- 130.2 Filosofie van de cultuur. Cultuurfilosofie. Cultuursystemen. Kultuurfilosofie --- Creation (Literary, artistic, etc.). --- Sexology --- Pygmalion --- Narcissus --- Eros --- Civilization, Western --- Personality and culture --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Civilization, Occidental --- Occidental civilization --- Western civilization --- Civilization and personality --- Culture and personality --- Civilization --- Culture --- Ethnopsychology
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Love in literature. --- Cosmology in literature. --- Love in literature --- Cosmology in literature --- Italian Literature --- Romance Literatures --- Languages & Literatures --- Dante Alighieri,
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This is the first volume of a new prose translation of Dante's epic - the first in twenty-five years. Robert Durling's translation brings a new power and accuracy to the rendering of Dante's extraordinary vision of Hell, with its terror, pathos, and sardonic humour, and its penetrating analyses of the psychology of sin and the ills that plague society.A newly edited version of the Italian text can be on facing pages, and this edition includes fully comprehensive notes as well as sixteen essays on special subjects.
Romance Literatures --- Languages & Literatures --- Italian Literature --- Dante Alighieri,
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This is the second volume of a new prose translation of Dante's epic 'The Divine Comedy'. The original Italian is used with a parallel text in English.
Dante Alighieri, --- Dante Alighieri --- Alighieri, Dante --- Dante, Alighieri --- Alih'eri, Dante --- Purgatory. --- Eschatology --- Future punishment --- Alihii︠e︡ri, Dante, --- Alaghieri, Dante, --- Aldigeri, Dante, --- Aligeri, Dante, --- Allighieri, Dante, --- Aligerius, Dantes, --- Aligheri, Dante, --- Alighieri, Dante, --- Alleghieri, Dante, --- Durante Alighieri, --- Tan-ting, --- Danding, --- Dāntī Alījyīrī, --- Alīyīrī, Dāntī, --- Dante Alih'i︠e︡ri, --- Dante, --- Dant Aligīeri, --- Aligīeri, Dant, --- Dantte, --- Tantte, --- Dantis Alagherius, --- Danthe Alighieri, --- Alighieri, Danthe, --- Dante Alig'i︠e︡ri, --- Alig'i︠e︡ri, Dante, --- Ailígiéirí, Dainté, --- Dantė Aligjeris, --- Dānté ʼAligiyéri, --- Makākavi Tāntē, --- Tāntē Alikiyari, --- Alikiyari, Tāntē, --- אליגיירי דנטי --- אליגירי, דנטי --- דאנטי אליגיירי --- דאנטי אליגיירי, --- דאנט, --- דנטה אליגיירי, --- דנטה אליגירי, --- דנטי אליגיארי, --- דנטי אליגירי, --- دانتى ألغييري --- دانتي أليجيري،, --- ダンテ, --- Данте Аліґгіері,
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The twenty-five original essays in this remarkable book constitute both a state of the art survey of Dante scholarship and a manifesto for new understandings of one of the world’s great poets. The fruit of an historic conference called by the Dante Society of America, the essays confront a range of important questions. What theories, methods, and issues are unique to Dante scholarship? How are they changing? What is the essence of the distinctive American Dante tradition? Why—and how—do we read Dante in today’s global, postmodern culture? From John Ahern on the first copies of the Commedia to Peter Hawkins and Rachel Jacoff on Dante after modernism, the essays shed brilliant new light on Dante’s texts, his world, and what we make of his legacy. The contributors: John Ahern, H. Wayne Storey, Guglielmo Gorni, Teodolinda Barolini, Gary P. Cestaro, Lino Pertile, F. Regina Psaki, Steven Botterill, Giuseppe Mazzotta, Alison Cornish, Robert M. Durling, Manuele Gragnolati, Giuliana Carugati, Susan Noakes, Zygmunt Baranski, Christopher Kleinhenz, Ronald L. Martinez, Ronald Herzman, Amilcare Iannucci, Albert Russell Ascoli, Michelangelo Picone, Jessica Levenstein, David Wallace, Piero Boitani, Peter Hawkins, and Rachel Jacoff.
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