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Examined within their economic, cultural, and political context, the work of women Maghrebi filmmakers forms a cohesive body of work. Florence Martin examines the intersections of nation and gender in seven films, showing how directors turn around the politics of the gaze as they play with the various meanings of the Arabic term hijab (veil, curtain, screen). Martin analyzes these films on their own theoretical terms, developing the notion of ""transvergence"" to examine how Maghrebi women's cinema is flexible, playful, and transgressive in its themes, aesthetics, narratives, and modes of a
Sociology of the family. Sociology of sexuality --- Film --- Maghreb --- Motion pictures --- Women motion picture producers and directors --- Women in motion pictures. --- Cinéma --- Productrices et réalisatrices de cinéma --- Femmes au cinéma --- History --- Social aspects --- Histoire --- Aspect social --- Cinéma --- Productrices et réalisatrices de cinéma --- Femmes au cinéma --- Africa, North --- In motion pictures. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Women moving-picture producers and directors --- Motion picture producers and directors --- Women in the motion picture industry --- History and criticism --- History.
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'A marvelous and timely book on Morocco’s national treasure Farida Benlyazid. An elegant and playful spiral structure accommodates Martin’s deep understanding of Benlyazid's many contexts, from the socioeconomic to the spiritual.' ----Laura Marks, Simon Fraser University, Canada 'Florence Martin has achieved an into-depth exploration of a unique and unequalled Moroccan female cineaste-biography. Well-written, nuanced and historically informed.' ---Viola Shafik, Independent scholar and filmmaker, Berlin, Germany and Cairo, Egypt This book project unfolds and analyzes the work of Moroccan director, producer, and scriptwriter Farida Benlyazid, whose career extends from the beginning of cinema in independent Morocco to the present. This study of her work and career provides a unique perspective on an under-represented cinema, the gender politics of cinema in Morocco, and the contribution of Arab women directors to global cinema and to a gendered understanding of Muslim ethics and aesthetics in film. A pioneer in Moroccan cinema, Farida Benlyazid has been successful at negotiating the sometimes abrupt turns of Morocco’s rocky 20th century history: from Morocco under French occupation to the advent of Moroccan independence in 1956; the end of the international status of Tangier, her native city, in 1959; the “years of lead” under the reign of Hassan II; and finally Mohamed VI’s current reign since 1999. As a result, she has a long view of Morocco’s politics of self-representation as well as of the representation of Moroccan women on screen Florence Martin is Dean John Blackford Van Meter Professor of French Transnational Studies at Goucher College, USA. She is the author of Screens and Veils: Maghrebi Women’s Cinema (2011) and the co-author (with Will Higbee and Jamal Bahmad) of Moroccan Cinema Uncut: Decentred Voices, Transnational Perspectives (2020).
Motion pictures. --- Motion pictures --- Culture. --- Sex. --- Ethnology --- Directing. --- Global Film and TV. --- Global and International Culture. --- Gender Studies. --- African Film and TV. --- Middle Eastern Culture. --- Production and direction. --- Africa. --- Middle East .
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Philosophy and psychology of culture --- Sociology of the family. Sociology of sexuality --- Ethnology. Cultural anthropology --- Telecommunication services --- Film --- Directing --- etnologie --- TV (televisie) --- cultuur --- film --- gender --- Middle East
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French literature (outside France) --- French Guiana --- French Guianese literature (French) --- Caribbean literature (French) --- Women and literature --- Littérature guyanaise française --- Littérature antillaise (française) --- Femmes et littérature --- History and criticism --- Women authors --- Histoire et critique --- Femmes écrivains --- Stephenson, Elie, --- Maximin, Daniel, --- D'Chimbo, --- In literature --- History and criticism. --- Littérature guyanaise française --- Littérature antillaise (française) --- Femmes et littérature --- Femmes écrivains --- In literature.
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Cinéma --- Cinéma maghrebin --- Afrique du Nord --- Afrique du Nord.
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La Guyane française est étrangement absente du clan de la "francophonie". Elle l'est tout autant de celui de la "créolité", alors que le premier roman écrit en créole es l'œuvre d'un Guyanais. Il faut donc enquêter le long des "traces-mémoires" de la Guyane : suivre une inscription à moitié effacée à même la terre, le mur du bagne, la page jaunie ;: écouter l'écho lointain du son proféré au temps d'avant celui du souvenir conscient ; suivre la voie de la trace écrite et la voix des ondes sonores que le caillou littéraire lancé répercute là-bas, dans le grand espace de ce territoire sud-américain. Dépister les "marronnages" dans les dits et les textes : lire comment le texte guyanais, puis antillais, travaille l'écrit de l'intérieur, lui donne une dynamique subversive, pousse l'élan littéraire dans ses retranchements, fait résonner d'autres langues (orales) au sein même de la langue écrite, pour enfin résister à l'injonction du sens giratoire officiel : on ne tourne plus autour de la France, on s'en distancie, on tente même d'en détourner le sens.
Stephenson, Elie, --- Maximin, Daniel, --- D'Chimbo, --- Criticism and interpretation. --- Isolé soleil. --- In literature.
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This book provides a comprehensive overview on the theories, processes, and solutions relevant to effectively creating, using, and managing digital media in a variety of instructional settings. In the first section of the book, the authors provide an overview of the theories, development models, and principles of learning with digital media. In the second section, the authors detail various digital media solutions, including: Instructional Videos, Instructional Simulations and Games, Online Learning, Mobile Learning, and Emerging Learning Technologies. Overall, this book emphasizes the theoretical principles for learning with digital media and processes to design digital media solutions in various instructional settings. The readers are also provided with multiple case studies from real world projects in various instructional settings. .
Educational technology. --- Instructional technology --- Technology in education --- Technology --- Educational innovations --- Instructional systems --- Teaching --- Aids and devices --- Learning. --- Instruction. --- Educational Technology. --- Learning & Instruction. --- Learning process --- Comprehension --- Education
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harcelement au travail --- violence --- harcelement au travail --- prevention --- violence --- travail --- prevention
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