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"This volume is a comprehensive study highlighting the interplay of context and meaning in Robert Ryman's work. Featuring new photography and original essays by a formidable array of scholars and curators, the book is the most expansive and thorough investigation of the work of American painter Robert Ryman in over two decades. Arguing that the relationships between his paintings are key to understanding his diverse output, the book offers more faithful reproductions and subtler details of the paintings than have previously been available, and attends closely to the artist's own strategies of display. Ryman's paintings are readily identified by their predominantly achromatic surfaces, but his exploration of the values and effects of white was never limited to paint. His experimentations with canvas, board, paper, aluminum, fiberglass, and Plexiglas have evolved into a material vocabulary as revolutionary as his use of white. The texts featured here reflect on the importance of Ryman's practice to contemporary art: Robert Storr, curator of Ryman's 1993 retrospective, places the painter in historical context while Courtney J. Martin, curator of his 2015-16 exhibition at Dia Chelsea, looks at Ryman's three-dimensional works. Drawings scholar Allegra Pesenti investigates his drawing practice; music historian John Szwed traces the influence of jazz in Ryman's early works; and artist Charles Gaines asks what, in a Ryman, is real"--
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Cecily Brown is a British-born, New York-based artist who rose to prominence in the late 1990s. Originally influenced by Cubism and Abstract Expressionism, Brown has over the years developed her unique voice, which investigates the sensual qualities of oil paint and portraiture through a satirizing and celebratory process inspired both by abstraction and realism. Gentle and yet forceful, Brown's exuberant brushwork, rich palette, intense energy, and black humor have redefined some of painting's historical canons.
Peinture --- Art abstrait --- Brown, Cecily, --- Criticism and interpretation --- Painting --- hedendaagse kunst --- Brown, Cecily --- kunst --- eenentwintigste eeuw --- twintigste eeuw --- 75.071 BROWN --- schilderkunst --- Verenigde Staten --- Brown Cecily --- Groot-Brittannië --- Criticism and interpretation. --- Expressionnisme abstrait --- Brown, Cecily, - 1969- - Criticism and interpretation --- Brown, Cecily, 1969 --- -kunst --- Abstracte schilderkunst ; 21ste eeuw --- Thema's in de schilderkunst ; de vrouw --- Schilderkunst ; 20ste eeuw ; Abstract Expressionisme --- Schilderkunst ; 21ste eeuw --- Brown, Cecily °1969 (°Londen, Groot-Brittannië) --- 75.07 --- Schilderkunst ; schilders A-Z --- -Brown, Cecily, - 1969 --- -Art abstrait --- -Painting
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Wangechi Mutu's remarkable body of work touches on such issues as sexuality, ecology, politics, and the rhythms and chaos that govern the world. Her paintings, sculptures, and collages, often enriched with culturally-charged materials including tea, synthetic hair, Kenyan soil, feathers, and sand, interweave fact with fiction, generating a unique form of myth-making that sets her apart from classical history or popular culture. This is the first book to document her evolution and explore her impact.
sculpture [visual works] --- installations [visual works] --- monumental [size or dimensions] --- easel paintings [paintings by form] --- human figures [visual works] --- Mutu, Wangechi --- Art --- Thema's in de kunst ; zelfportretten ; vrouwentypes --- Beeldende kunst ; collages ; 20ste en 21ste eeuw --- Performances ; installaties; 21ste eeuw --- Lichaamsornamentiek ; bij etnografische volkeren ; Afrika --- Thema's in de kunst ; ras ; gender ; geslacht --- Mutu, Wangechi °1972 (°Nairobi, Kenia). Woont en werkt in New York --- 7.07 --- 7.071 --- kunst --- beeldhouwkunst --- schilderkunst --- tekenkunst --- collages --- installaties --- Kenia --- eenentwintigste eeuw --- twintigste eeuw --- Mutu Wangechi --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A-Z --- paintings [visual works]
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installations [visual works] --- photography [process] --- video art --- performance art --- play [recreation] --- collaboration --- sound art --- narrative art --- Boyce, Sonia
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Art --- mirrors --- installations [visual works] --- photography [process] --- social issues --- skyscrapers --- skylines --- video art --- refrigerators --- consumers --- Attia, Kader
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Art --- sculpture [visual works] --- installations [visual works] --- Ryan, Veronica
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Art --- art [discipline] --- racial discrimination --- colonization --- migration [function] --- slavenhandel --- African diaspora --- African American --- Modernist --- anno 1900-1999 --- anno 2000-2009 --- Europe --- Sub-Saharan Africa --- Caribbean area --- America
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"Examines the rich networks of international artists and art practices that emerged in and around London during the 1960s and 1970s. Discusses diverse practices, movements, and spaces, from painting, sculpture, and film to performance, conceptual, and land art"--Provided by publisher.
Art --- Artists --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Persons --- Social networks --- History --- Art, Modern --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Art, Primitive
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