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Kino der Irritation : Lars von Triers theologische und ästhetische Herausforderung
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ISBN: 9783894725327 389472532X Year: 2007 Publisher: Marburg: Schüren,

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Raüme, Körper und Ikonen : (Post-)Konfessionelle Filmikonographien
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ISBN: 9783894727536 3894727535 Year: 2012 Publisher: Marburg: Schüren,

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Outer space : Reisen in Gegenwelten
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ISBN: 9783894726324 3894726326 Year: 2008 Publisher: Marburg: Schüren,

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Traumwelten : der filmische Blick nach innen
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ISBN: 3894723416 9783894723415 Year: 2003 Publisher: Marburg: Schüren,

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Eros und Religion : Erkundungen aus dem Reich der Sinne
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ISBN: 9783894724801 3894724803 Year: 2007 Publisher: Marburg: Schüren,

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Gewaltige Opfer : Filmgespräche mit Réne Girard und Lars von Trier
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ISBN: 9783934311077 3894723610 9783894723613 3934311075 Year: 2000 Publisher: Köln: KIM,

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Using Media in Religious Studies. Strategies of Representing Religion in Scholarly Approaches : Using Media in Religious Studies

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Compared to the broad and well established field of research on media within religions, the usage of media for representing religion in scholarly work – text, image, sound, material, speech, film etc. – is a rather neglected topic. This is astonishing, since media have different effects and are perceived with different impacts not only in religions but also inside the scientific community. This shapes our perception and needs to be separated from processes of understanding media within religions. The issue explores media as a crucial part of research, as means for both producing and representing scholarly results. This issue of JRFM focuses mainly two topics: didactics of teaching religious studies and exhibiting religions. An example like the Qur’an illustrates the complexity and connectivity of media and their representations. As the Qur’an might occur as script, print, sound or in the internet, it induces scholars first to use adequate forms to mediate emic habitual practices of reading, touching and reciting, and second to choose forms that are useful for etic reflections on emic perceptions. The emic and etic perception might differ especially when media do not only transport narratives or any religious knowledge but represent an idea of transcendence and evoke elementary religious feelings. Exhibitions, as another example, are results of complex processes to transfer historical or empirical knowledge via selected materials to the sensual perception of visitors. But this transfer is not only a part of scholarly exhibitions but also occurs when museums become missionary tools. Media are in any case not only signs and symbols to communicate or transport knowledge, but they are part of worldviews, emotional and habitual sets of sensation, which, interestingly enough, reveal religions and scholarly approaches as overlapping. Therefore, a specific reflection on our perspectives and insights into recipients’ possible perceptions are necessary if our aim is to inform and make our own methods transparent and suitable to what we want to express. This issue wants to stimulate further methodological reflections on this field. As usual book reviews as well as two calls for papers for upcoming issues of JRFM complete the volume.

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Religion --- History. --- Philosophy.


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Using Media in Religious Studies. Strategies of Representing Religion in Scholarly Approaches : Using Media in Religious Studies

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Compared to the broad and well established field of research on media within religions, the usage of media for representing religion in scholarly work – text, image, sound, material, speech, film etc. – is a rather neglected topic. This is astonishing, since media have different effects and are perceived with different impacts not only in religions but also inside the scientific community. This shapes our perception and needs to be separated from processes of understanding media within religions. The issue explores media as a crucial part of research, as means for both producing and representing scholarly results. This issue of JRFM focuses mainly two topics: didactics of teaching religious studies and exhibiting religions. An example like the Qur’an illustrates the complexity and connectivity of media and their representations. As the Qur’an might occur as script, print, sound or in the internet, it induces scholars first to use adequate forms to mediate emic habitual practices of reading, touching and reciting, and second to choose forms that are useful for etic reflections on emic perceptions. The emic and etic perception might differ especially when media do not only transport narratives or any religious knowledge but represent an idea of transcendence and evoke elementary religious feelings. Exhibitions, as another example, are results of complex processes to transfer historical or empirical knowledge via selected materials to the sensual perception of visitors. But this transfer is not only a part of scholarly exhibitions but also occurs when museums become missionary tools. Media are in any case not only signs and symbols to communicate or transport knowledge, but they are part of worldviews, emotional and habitual sets of sensation, which, interestingly enough, reveal religions and scholarly approaches as overlapping. Therefore, a specific reflection on our perspectives and insights into recipients’ possible perceptions are necessary if our aim is to inform and make our own methods transparent and suitable to what we want to express. This issue wants to stimulate further methodological reflections on this field. As usual book reviews as well as two calls for papers for upcoming issues of JRFM complete the volume.

Keywords

Religion --- History. --- Philosophy.


Book
Using Media in Religious Studies. Strategies of Representing Religion in Scholarly Approaches : Using Media in Religious Studies

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Abstract

Compared to the broad and well established field of research on media within religions, the usage of media for representing religion in scholarly work – text, image, sound, material, speech, film etc. – is a rather neglected topic. This is astonishing, since media have different effects and are perceived with different impacts not only in religions but also inside the scientific community. This shapes our perception and needs to be separated from processes of understanding media within religions. The issue explores media as a crucial part of research, as means for both producing and representing scholarly results. This issue of JRFM focuses mainly two topics: didactics of teaching religious studies and exhibiting religions. An example like the Qur’an illustrates the complexity and connectivity of media and their representations. As the Qur’an might occur as script, print, sound or in the internet, it induces scholars first to use adequate forms to mediate emic habitual practices of reading, touching and reciting, and second to choose forms that are useful for etic reflections on emic perceptions. The emic and etic perception might differ especially when media do not only transport narratives or any religious knowledge but represent an idea of transcendence and evoke elementary religious feelings. Exhibitions, as another example, are results of complex processes to transfer historical or empirical knowledge via selected materials to the sensual perception of visitors. But this transfer is not only a part of scholarly exhibitions but also occurs when museums become missionary tools. Media are in any case not only signs and symbols to communicate or transport knowledge, but they are part of worldviews, emotional and habitual sets of sensation, which, interestingly enough, reveal religions and scholarly approaches as overlapping. Therefore, a specific reflection on our perspectives and insights into recipients’ possible perceptions are necessary if our aim is to inform and make our own methods transparent and suitable to what we want to express. This issue wants to stimulate further methodological reflections on this field. As usual book reviews as well as two calls for papers for upcoming issues of JRFM complete the volume.

Keywords

Religion --- Religion --- History. --- Philosophy.


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“Who, Being Loved, Is Poor?” - Material and Media Dimensions of Weddings : Journal for Religion, Film and Media

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Marriage can be understood as a rite of passage that marks a fundamental transformation in a person?s life, legally, politically, and economically, and often in that person?s self-conception, as an individual and in terms of his or her place in society. This transformation combines and blurs various themes. We focus here on the following aspects, which are integral to the articles in this issue: the private and the public, tradition and innovation, the collective and the individual. The media play a crucial role in shaping all of these categories and their relationship. Finally, we consider the connections between marriage and religion, for a wedding is not per se religious. In the contemporary European context in particular, a wedding can take the form simply of the signing of a socio-legal contract. But nevertheless? or perhaps exactly therefore? marriages are often staged ritualistically and linked to religious symbols, worldviews, and norms.

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