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"Patricios en contienda explores the ways in which cuadros de costumbres were deployed to nationalize local populations in Colombia, Ecuador and Venezuela as part of larger debates about how these national cultures should look like after Gran Colombia (1819-1830) disassembled. By placing cuadros de costumbres in its tumultuous context, this book shows how old elites proud of their Spanish ancestry - Colombian Jose María Vergara y Vergara (1831-1872) or Venezuelan Fermín Toro (1806-1865) - fought newer ones emerging from the War of Independence - Venezuelan general Jose Antonio Páez (1790-1873), his son Ramón Páez (1810-1894) or Italian geographer Agustín Codazzi (1793-1859) among others - in order to gain legitimacy in the transition from monarchical rule to republicanism. These new and old patricians chose different social types to write about and compiled them into albums, memoirs or 'literary museums' in order to create pueblos that reflected their own personal histories and political projects. They did so by adding and subtracting diverse historical experiences homogenized as picturesque types, such as the tobacco roller or the llanero. In response to the mechanisms of inclusion and exclusion, marginalized members of the elites-such as Colombian Josefa Acevedo de Gómez (1803-1861) or Ecuadorian Dolores Veintimilla (1829-1857) - participated in these public debates about 'costumbres nacionales' by writing about left-out types or repurposing the sketch in order to write lives of indigenous peoples. Ultimately, by situating cuadros de costumbres within the periodicals where they first appeared, Patricios en contienda argues they ought to be read as a political tool - and placed along micro-biographies of illustrious men or serialized novels appearing in the press- through which their authors sought to define the new Republics in the midst of a shifting political landscape were heterogeneous populations were being refashioned as one single national 'pueblo'"--
Marginality, Social --- Elite (Social sciences) --- Social classes in literature. --- National characteristics, Latin American, in literature. --- Latin American fiction --- Short stories, Latin American --- Political aspects --- Attitudes --- History --- History and criticism. --- Latin America.
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Intimate Frontiers: A Literary Geography of the Amazon analyzes the ways in which the Amazon has been represented in twentieth century cultural production. With contributions by scholars working in Latin America, the US and Europe, Intimate Frontiers reads against the grain commonly held notions about the region - its gigantism, its richness, its exceptionality, among other - choosing to approach these rather from quotidian, everyday experiences of a more intimate nature. The multinational, pluriethnic corpus of texts critically examined here, explores a wide range of cultural artifacts including travelogues, diaries, and novels about the rubber boom genocide, as well as indigenous oral histories, documentary films, and photography about the region. The different voices gathered in this book show that the richness of the Amazon lays not in its natural resources or opportunities for economic exploit, but in the richness of its histories/stories in the form of songs, oral histories, images, material culture, and texts.
Amazon River Region --- In literature. --- Amazonia --- Literature, Modern --- Culture --- Civilization. --- Intellectual life. --- Literature, Modern. --- History and criticism. --- Study and teaching --- Study and teaching. --- 1900-1999 --- Modern literature --- Arts, Modern --- Cultural life --- Cultural studies --- Barbarism --- Civilisation --- Auxiliary sciences of history --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Social aspects --- Intellectual life --- Capital and the exploitation of nature --- Eco-criticism and Environmental Humanities --- literary geography --- American Tropics --- intimate encounters --- Amazonian literature --- interactions with nature --- Rubber boom genocide
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