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Museology --- General ethics --- Art --- art museums [institutions]
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New Museum Theory and Practice is an original collection of essays with a unique focus: the contested politics and ideologies of museum exhibition. Contains 12 original essays that contribute to the field while creating a collective whole for course use. Discusses theory through vivid examples and historical overviews. Offers guidance on how to put theory into practice. Covers a range of museums around the world: from art to history, anthropology to music, as well as historic houses, cultural centres, virtual sites, and commercial displays that use the conventions of the museum. Authors come from the UK, Canada, the US, and Australia, and from a variety of fields that inform cultural studies.
Museum exhibits. --- Museum exhibits --- Museum techniques. --- Museums --- Political aspects. --- Philosophy. --- Museology --- Display techniques --- Displays, Museum --- Museum displays --- Exhibitions --- Museum techniques --- Technique --- Political aspects --- Philosophy --- museum --- museologie --- Applied museology --- Museography --- Museum practices --- Museum studies
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Routledge Companion to Museum Ethics is a theoretically informed reconceptualization of museum ethics discourse as a dynamic social practice central to the project of creating change in the museum. Through twenty-seven chapters by an international and interdisciplinary group of academics and practitioners it explores contemporary museum ethics as an opportunity for growth, rather than a burden of compliance. The volume represents diverse strands in museum activity from exhibitions to marketing, as ethics is embedded in all areas of the museum sector.
Museums --- Social change. --- Responsibility. --- Management --- Moral and ethical aspects. --- Social aspects.
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"Curating Art provides insight into some of the most socially and politically impactful curating of historical and contemporary art since the late 1990s. It offers up a museological framework for understanding watershed developments of curating in art museums. Representing the plurality of theory and practice around the expanded field of relational curating, the book focuses on curating that prioritises the quality of relationships between people and objects, between institutions and people and among people. It has wide international breadth, with particularly strong representation in East and Southeast Asia, including four papers never before translated into English. This Asian cluster illuminates the globalisation of the field and challenges dichotomies of east and west, while also acknowledging distinctions within specific, but often transnational, cultural spheres. The compelling philosophical perspectives and case studies included within Curating Art will be of interest to students and researchers studying curating, exhibition development and art museums. It will also inspire current and emerging curators to pose challenging but important questions about their own practice and the relationships that this work sustains"--
Art museums and community --- Art museums and community. --- Art museums --- Curatorship --- Curatorship. --- Community and art museums --- Communities --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Art curating --- Art curatorial practice --- Art curatorship --- Galleries and museums
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"Curating Under Pressure breaks the silence surrounding curatorial self-censorship and shows that it is both endemic to the practice and ubiquitous. Contributors map the diverse forms such self-censorship takes and offer creative strategies for negotiating curatorial integrity. This is the first book to look at pressures to self-censor and the curatorial responses to these pressures from a wide range of international perspectives. The book offers examples of the many creative strategies that curators deploy to negotiate pressures to self-censor and gives evidence of curators' political acumen, ethical sagacity and resilience over the long term. It also challenges the assumption that self-censorship is something to be avoided at all costs and suggests that a decision to self-censor may sometimes be politically and ethically imperative. Curating Under Pressure serves as a corrective to the assumption that censorship pressures render practitioners impotent. It demonstrates that curatorial practice under pressure offers inspiring models of agency, ingenuity and empowerment. Curating under Pressure is a highly original and intellectually ambitious volume and, as such, will be of great interest to students and academics in the areas of museum studies, curatorial and gallery studies, art history, studio art, and arts administration. The book will also be an essential tool for museum practitioners"
Art and society. --- Curatorship. --- Intellectual freedom. --- Censorship.
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Museology --- General ethics --- museology --- museums [buildings] --- museumkunde --- musea
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museology --- Museology --- museumkunde --- General ethics --- anno 2000-2099 --- kunstbeleid --- ethiek --- Addams, Jane --- 21ste eeuw --- Museums --- Social change. --- Responsibility. --- Management --- Moral and ethical aspects. --- Social aspects. --- Responsibility --- Social change --- Accountability --- Moral responsibility --- Obligation --- Ethics --- Supererogation --- Change, Social --- Cultural change --- Cultural transformation --- Societal change --- Socio-cultural change --- Social history --- Social evolution --- Public institutions --- Cabinets of curiosities --- Management&delete& --- Moral and ethical aspects --- Social aspects --- museumkunde. --- kunstbeleid. --- ethiek. --- Addams, Jane. --- 21ste eeuw.
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Art, American --- Painting, American --- Art --- Art américain --- Peinture américaine --- Catalogs --- Catalogs. --- Catalogues --- Carnegie Museum of Art
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