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Political fiction, Belgian (French) --- Soviet Union in literature --- Politique-fiction belge (français) --- History and criticism --- Histoire et critique --- Serge, Victor, --- Political and social views --- Pensée politique et sociale --- -Politics and literature --- -Dissenters in literature --- Literature --- Literature and politics --- Belgian political fiction (French) --- Political fiction, French --- Belgian fiction (French) --- History --- -Political aspects --- Serge, Victor --- -Political and social views --- Soviet Union --- -In literature --- -Serge, Victor --- Politique-fiction belge (français) --- Pensée politique et sociale --- Dissenters in literature --- Politics and literature --- Political aspects --- Kibalʹchich, Viktor Lʹvovich, --- Kibaltchitch, Victor-Napoléon Lvovitch, --- Serzh, Viktor, --- Rétif, --- Victor-Serge, --- Political and social views. --- Советский Союз --- Ber. ha-M. --- Zwia̦zek Socjalistycznych Republik Radzieckich --- Szovjetunió --- TSRS --- Tarybų Socialistinių Respublikų Sąjunga --- SRSR --- Soi︠u︡z Radi︠a︡nsʹkykh Sot︠s︡ialistychnykh Respublik --- SSSR --- Soi︠u︡z Sovetskikh Sot︠s︡ialisticheskikh Respublik --- UdSSR --- Shūravī --- Ittiḥād-i Jamāhīr-i Ishtirākīyah-i Shūrāʼīyah --- Russia (1923- U.S.S.R.) --- Sovetskiy Soyuz --- Soyuz SSR --- Sovetskiĭ Soi︠u︡z --- Soi︠u︡z SSR --- Uni Sovjet --- Union of Soviet Socialist Republics --- USSR --- SSṚM --- Sovetakan Sotsʻialistakan Ṛespublikaneri Miutʻyun --- SSHM --- Sovetakan Sotsʻialistakan Hanrapetutʻyunneri Miutʻyun --- URSS --- Unión de Repúblicas Socialistas Soviéticas --- Berit ha-Moʻatsot --- Rusyah --- Ittiḥād al-Sūfiyītī --- Rusiyah --- Rusland --- Soṿet-Rusland --- Uni Soviet --- Union soviétique --- Zȯvlȯlt Kholboot Uls --- Związek Radziecki --- ESSD --- Sahaphāp Sōwīat --- KhSHM --- SSR Kavširi --- Russland --- SNTL --- PSRS --- Su-lien --- Sobhieṭ Ẏuniẏana --- FSSR --- Unione Sovietica --- Ittiḥād-i Shūravī --- Soviyat Yūniyan --- Russian S.F.S.R. --- In literature. --- Związek Socjalistycznych Republik Radzieckich --- ZSRR --- Związek Socjalistycznych Republik Sowieckich --- ZSRS
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Motion pictures --- Nationalism in motion pictures. --- Social aspects --- History. --- #SBIB:013.AANKOOP --- #SBIB:309H1320 --- #SBIB:309H525 --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Sociologie van de audiovisuele boodschap --- Nationalism in motion pictures --- Cinéma --- Nationalisme au cinéma --- History --- Aspect social --- Histoire --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
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In the first comprehensive, theoretically informed work in English on Quebec cinema, Marshall views his subject as neither the assertion of some unproblematic national wholeness nor a random collection of disparate voices that drown out or invalidate the question of nation. Instead, he shows that while the allegory of nation marks Quebec film production it also leads to a tension between textual and contextual forces, between homogeneity and heterogeneity, and between major and minor modes of being and identity. Drawing on a broad framework of theory and particularly indebted to the work of Gilles Deleuze and Félix Guattari, Quebec National Cinema makes a valuable contribution to debates in film studies on national cinemas and to the burgeoning interest in French studies in the culture and politics of la francophonie.
Motion pictures --- Nationalism in motion pictures. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Social aspects --- History. --- History and criticism
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Comparative literature --- American literature --- French literature --- History of France --- History of North America
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Musical films --- Film --- Music, Dance, Drama & Film --- History and criticism --- History and criticism.
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This is the first full-length monograph in English about one of France's most important contemporary filmmakers, perhaps best known in the English-speaking world for his award-winning Les Roseaux sauvages/Wild Reeds of 1994. This study locates André Téchiné within historical and cultural contexts that include the Algerian War, May 1968 and contemporary globalisation, and the influence of Roland Barthes, Bertolt Brecht, Ingmar Bergman, William Faulkner, and the cinematic French New Wave. The originality of Téchiné's sixteen feature films lies in his subtle exploration of sexuality and national
Téchiné, André, --- Techiné, André --- Criticism and interpretation. --- Techiné, Andr --- Motion picture producers and directors --- Film, TV and radio. --- Individual film directors, film-makers. --- PERFORMING ARTS / Film / History & Criticism. --- The Arts --- Performing arts --- Films, cinema
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