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Imprisoned for his revolutionary activities and championed by Checkov, Maxim Gorky ('the bitter') had his first play produced by the Moscow Art Theatre in 1902. This book contains a comprehensive checklist of all the writer's plays, with a detailed performance history, excerpted reviews and a selection of the writers' own comments on his work.
Gorky, Maksim --- Authors, Russian --- Ecrivains russes --- Biography --- Biographies --- Gorky, Maksim, --- Handbooks, manuals, etc --- Handbooks, manuals, etc. --- Gao'erji, --- Gkorky, Maxim --- Gorikki --- Gorkaĭ, M. --- Gorki, A. M. --- Gorḳi, M. --- Gorkī, Maiksima --- Gorki, Maksim --- Gorki, Maksym --- Gorki, Massimo --- Gorki, Maxim --- Gorki, Maxime --- Gorki, Maximo --- Gorʹkiĭ, A. M. --- Gorʹkiĭ, Alekseĭ Maksimovich --- Gorʹkiĭ, M. --- Gorʹkiĭ, Maksim --- Gorʹkij, Maksim --- Gorkij, Maxim --- Gorkis, Maksima, --- Gorky, M. --- Gorky, Maxi, --- Gorukī --- Horʹkyĭ, M. --- Jūrkī, Maksīm --- Kao-erh-ch --- Kārkki, --- Kārkki, Makcīm, --- Kārkki, Māksim, --- Kō̜kkī, Māksim, --- Korikki, --- Korkʻi, Makʻsim, --- Maiksima Gorkī, --- Peshkov, Alekseĭ Maksimovich, --- Peshkov, Aleksey Maksimovich, --- Peškov, Aleksej Maksimovič, --- Pi︠e︡shkov, Aleksi︠e︡ĭ Maksimovich, --- Пешков, Алексей Максимович, --- Пѣшков, Алексѣй Максимович, --- Горький, А. М. --- Горький, Алексей Максимович, --- Горький, М., --- Горький, М. --- Горький, Максим, --- גארקי, א. מ. --- גארקי, מ. --- גארקי, מ., --- גארקי, מאקסים --- גארקי, מאקסימ, --- גורקי, מ. --- גורקי, מ., --- גורקי, מקסים --- גורקי, מקסים, --- גורקי, מכסים, --- דארקי, מאקסים --- جوركي، مكسيم --- 高尔基, --- 高爾基, --- Gor'kij, A. M. --- Gor'kij, Maksim --- Gorkij, Maksim --- Gorky, Maxim --- Peškov, Aleksej Maksimovič --- Literary studies: plays & playwrights --- Russian drama
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This book tackles questions about the reception and production of translated and untranslated Russian theatre in post-WW2 Britain: why in British minds is Russia viewed almost as a run-of-the-mill production of a Chekhov play. Is it because Chekhov is so dominant in British theatre culture? What about all those other Russian writers? Many of them are very different from Chekhov. A key question was formulated, thanks to a review by Susannah Clapp of Turgenev’s A Month in the Country: have the British staged a ‘Russia of the theatrical mind’?
Russian drama --- History and criticism. --- Performing arts. --- Russia—History. --- Europe, Eastern—History. --- Theater. --- Motion pictures. --- Performing Arts. --- Russian, Soviet, and East European History. --- Contemporary Theatre. --- Global/International Theatre and Performance. --- Theatre Industry. --- Adaptation Studies. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Acting --- Actors --- Show business --- Arts --- Performance art --- History and criticism --- Russia --- Europe, Eastern --- History.
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This book tackles questions about the reception and production of translated and untranslated Russian theatre in post-WW2 Britain: why in British minds is Russia viewed almost as a run-of-the-mill production of a Chekhov play. Is it because Chekhov is so dominant in British theatre culture? What about all those other Russian writers? Many of them are very different from Chekhov. A key question was formulated, thanks to a review by Susannah Clapp of Turgenev’s A Month in the Country: have the British staged a ‘Russia of the theatrical mind’?
Film --- Theatrical science --- History of Eastern Europe --- History of Europe --- performances (kunst) --- theater --- geschiedenis --- Europese geschiedenis --- Russia --- Eastern and Central Europe
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Film --- Theatrical science --- History of Eastern Europe --- History of Europe --- performances (kunst) --- theater --- geschiedenis --- Europese geschiedenis --- Russia --- Eastern and Central Europe
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