Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The articles in this book encompass a broad historical panorama and consider the presence of litanic prayers and songs in different religions, beginning with written records in the Egyptian, Sumerian and Hebrew languages and finishing with Christian works from diverse denominations. The research presents the litany as an exceptionally long-lasting genre which for several thousand years existed in the Middle-Eastern and European traditions, easily conforming to changes in religious or historical circumstances. An interdisciplinary approach by scholars representing different fields of study, including the history of liturgy, Egyptology, Assyriology, literary studies, musicology and ethnosemiotics, allows the eclectic character of litanies to be revealed, litanies which not only were a form of church prayer but also had an impact on the organization of social rituals as well as being appropriated by all the major fields of art, poetry, the fine arts and music. The musicological articles in the book address the performance of Sumerian prayers, the liturgical songs of the Middle Ages, litanies in Tudor England and polyphonic works of the great composers, such as Wolfgang Amadeus Mozart.

Litanies --- Dans l'art --- Moyen Orient. --- 264-064 --- 264-064 Smeekgebeden. Litanie van alle heiligen. Litanieën--(andere) --- Smeekgebeden. Litanie van alle heiligen. Litanieën--(andere) --- Sacred music --- Liturgics --- History. --- History and criticism. --- Christian pastoral theology

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Sociologie du quotidien. --- Sémiotique et anthropologie.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Indagare la dimensione dell’animalità nella storia degli studi teatrali implica la pluridisciplinarietà che è parte della nuova teatrologia, da sempre in dialogo con le scienze umane (antropologia, sociologia, semiotica) e con le neuroscienze. L’intento di questa raccolta di saggi è quello di iniziare a tracciare una storia del teatro come storia mista umana e non-umana – per la quale si rende necessario un dialogo con le scienze naturali, in particolar modo con l’etologia e con la zooantropologia, e di riattraversare in modo fruttuoso l’intera storia dei generi performativi, all’interno dei quali le performance interspecie si rivelano come una pratica originaria e costitutiva. In questo senso l’ottica sperimentale e multidisciplinare dei Critical Animal Studies risulta il terreno comune attraverso cui sono organizzati i contributi che compongono il volume e che spaziano dalla teoria della performance, all’etnoscenologia, dalla zooantropologia alla zoosemiotica, dalla filosofia all’etologia, senza tralasciare il punto di vista degli artisti della scena contemporanea.

Theater --- animalità nella storia degli studi teatrali --- storia del teatro umana e non-umana --- performance interspecie --- Critical Animal Studies --- etnoscenologia --- zooantropologia --- zoosemiotica --- filosofia all’etologia --- animalité dans l'histoire des études théâtrales --- histoire du théâtre humain et non humain --- performance interspécifique --- ethnoscénologie --- zooanthropologie --- zoosémiotique --- philosophie de l'éthologie --- animality in the history of theatrical studies --- human and non-human theater history --- interspecies performance --- ethnoscenology --- zooanthropology --- zoosemiotics --- philosophy of ethology