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Painting --- Roman Catholicism --- Counter-Reformation --- anno 1600-1699 --- Netherlands --- Église catholique et art --- Peinture --- Contre-Réforme et art --- Painting, Dutch --- Christian art and symbolism --- Portrait painting, Dutch --- Hollandse school --- kunst en godsdienst
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Hollandse school --- kunst en godsdienst --- Mary [s.] --- Neercassel, van, Johannes
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The essays collected in this volume are devoted to the Utrecht painter Abraham Bloemaert. The artist has received considerable scholarly attention following the publication of the catalogue raisonné of his paintings and, more recently, of his drawings, particularly in connection with the major exhibition The Bloemaert Effect (2012, Utrecht & Schwerin). This publication examines Abraham Bloemaert as a universal artist while it also aims to better understand his contribution towards the development of new iconographic themes. The choice and execution of specific subjects are considered in light of the local religious context, among others. In order to offer new perspectives and stimulate further research, the volume carefully examines the role of his workshop and the various artistic practices – painting, engraving, and drawing – in which its members engaged under Bloemaert’s supervision. A key question ties together the multifaceted approaches presented here: should Bloemaert be considered as the ‘father of the Utrecht school’ and the founder of a dynasty of artists?
Painting --- workshops [organizations] --- influence --- Bloemaert, Abraham --- Art, Dutch --- Painting, Dutch --- History and criticism --- Bloemaert, Abraham, --- Criticism and interpretation. --- Dutch painting --- Dutch art --- Nieuwe Ploeg (Group of artists) --- Ploeg (Group of artists) --- Blomart, A. --- Blomart, Abraham, --- Painters --- Graphic arts & prints* --- Low Countries (c. 1501-1800) --- Baroque & Rococo painting --- Engraving, Dutch --- Drawing, Dutch --- Artists' studios --- Utrechtse school
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Dans les arts visuels de la période moderne, décor et architecture ne sont pas appréhendés séparément mais se complètent, voire se recoupent. L'ambition de ce recueil consiste, par des études inédites, à interroger les liens qu'entretiennent ces deux champs dans l'Europe des XVIe, XVIIe et XVIIIe siècles. La perspective adoptée est large : les contributions abordent tant les productions princières que privées ou écclésiastiques, dans de nombreuses zones géographiques. La variété des approches méthodologiques et l'abondance des sources historiques permettent de mieux cerner les rapports entre théories et pratiques, hors de tout système prédéfini, et d'éxplorer les prérogatives des nombreux acteurs impliqués dans l'élaboration et la conduite d'un chantier.
(Produktform)Hardback --- (Zielgruppe)Fachpublikum/ Wissenschaft --- architecture --- arts --- Carl --- Décor --- Entre --- Léonie --- Lett --- Magnusson --- Marquaille --- Matthieu --- séparation --- siècle --- union --- XVIe-XVIIIe --- (VLB-WN)1580: Hardcover, Softcover / Kunst --- Architecture --- Sculpture --- ornaments [object genre] --- architectural ornament --- anno 1500-1799 --- Europe --- Decoration and ornament, Architectural --- Art and architecture --- History
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