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091 <41> --- 820-1 "15/16" --- 316.773.3:02 --- English poetry --- -English poetry --- -Literature publishing --- -Manuscripts, Renaissance --- -Printing --- -Renaissance --- -Transmission of texts --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- Manuscripts --- Renaissance --- Revival of letters --- Civilization --- History, Modern --- Civilization, Medieval --- Civilization, Modern --- Humanism --- Middle Ages --- Printing, Practical --- Typography --- Graphic arts --- Renaissance manuscripts --- Literary publishing --- Literature --- Publishers and publishing --- English literature --- Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Engelse literatuur: poëzie--?"15/16" --- Boek: communicatieinhoud--(communicatiesociologie) --- History --- England --- -History --- Publishing --- Intellectual life --- -Intellectual life --- Literature publishing --- Manuscripts, Renaissance --- Printing --- Transmission of texts. --- Criticism, Textual. --- Manuscripts. --- History. --- -England --- -091 <41> --- 316.773.3:02 Boek: communicatieinhoud--(communicatiesociologie) --- 820-1 "15/16" Engelse literatuur: poëzie--?"15/16" --- 091 <41> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Angleterre --- Anglii︠a︡ --- Inghilterra --- Engeland --- Inglaterra --- Anglija --- Transmission of texts --- England&delete&

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This study examines the transmission and compilation of poetic texts through manuscripts from the late-Elizabethan era through the mid-seventeenth century, paying attention to the distinctive material, social, and literary features of these documents.The study has two main focuses: the first, the particular social environments in which texts were compiled and, second, the presence within this system of a large body of (usually anonymous) rare or unique poems. Manuscripts from aristocratic, academic, and urban professional environments are examined in separate chapters that highlight particular collections. Two chapters consider the social networking within the university and London that facilitated the transmission within these environments and between them. Although the topic is addressed throughout the study, the place of rare or unique poems in manuscript collections is at the center of the final three chapters.The book as a whole argues that scholars need to pay more attention to the social life of texts in the period and to little-known or unknown rare or unique poems that represent a field of writing broader than that defined in a literary history based mainly on the products of print culture.

E-books --- 091 <41> --- 091 "15/17" --- 82-1 "15/16" --- 091 "15/17" Handschriftenkunde. Handschriftencatalogi--Moderne Tijd --- Handschriftenkunde. Handschriftencatalogi--Moderne Tijd --- 091 <41> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Poëzie--16e en 17e eeuw. Periode 1500-1699 --- Transmission of texts --- English poetry --- Authors and readers --- Manuscripts, English --- History --- Manuscripts. --- Criticism, Textual. --- History. --- England --- Intellectual life --- Book history --- Poetry --- English literature --- anno 1500-1599 --- anno 1600-1699

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The last of the literary genres to be incorporated into print culture, verse in the English Renaissance not only was published in anthologies, pamphlets, and folio editions, it was also circulated in manuscript. In this ground-breaking historical and cultural study of sixteenth- and early seventeenth-century lyric poetry, Marotti examines the interrelationship between the two systems of literary transmission and shows how in England manuscript and print publication together shaped the emerging institution of literature.Surveying a wide range of manuscript and print poetry of the period, Marotti outlines the different social and institutional contexts in which poems were collected and transmitted. He focuses on the two kinds of verse that were circulated more commonly in manuscript than in print-the obscene and the political-and he considers the contributions of scribes and compilers, particularly in composing "answer poetry" and other verse. Analyzing the process through which print gradually replaced manuscript as the standard medium for lyric verse, he identifies four crucial events in the history of publication in England: the appearances of Tottel's Miscellany ( (1557), Sir Philip Sidney's works in the 1590s, Ben Jonson's folio Workes (1616), and the posthumous editions of the poems of Donne and of Herbert (both 1633). Marotti also considers how certain material features of the book determined the reception of poetry, and he explores how poets attempted to establish their authority in print in relation to publishers, patrons, and readers.

Renaissance --- Transmission of texts. --- Literature publishing --- Printing --- Manuscripts, Renaissance --- English poetry --- History. --- History --- England --- Manuscripts. --- Criticism, Textual. --- Intellectual life

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Literature and society --- Donne, John, --- Criticism and interpretation.

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