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"Over the past thirty years the study of classical historiography has undergone great changes. While not abandoning traditional questions about sources and reliability, newer scholarship, influenced and informed by the current debates in the academy at large about the nature and purpose of all historiography, has sought to understand the ancient historians on their own terms and has more closely engaged with the ways in which the Greeks and Romans constructed their pasts, with the various roles that history played in these societies, with the relationship of history as a literary composition to other genres, and with the importance of the historian himself in giving form and meaning to his history. The essays in the present volume, six of which are translated into English for the first time, address these and other issues. Topics treated include the relationship of history and myth, the importance of oral tradition in the formation of both Greek andRoman historical traditions, the role of memory (both individual and societal) in shaping notions of the past and determining what is thought worthy of record, the influence of other genres such as poetry and oratory on historiography, and ancient notions of falsehood and historical truth. An introduction places the essays in the larger context of earlier and more recent trends in the study of Greek and Roman historiography"--Publisher's description, p. [4] of cover.

Greece --- Rome --- Historiography.

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This book is a study of the various claims to authority made by the ancient Greek and Roman historians throughout their histories and is the first to examine all aspects of the historian's self-presentation. It shows how each historian claimed veracity by imitating, modifying, and manipulating the traditions established by his predecessors. Beginning with a discussion of the tension between individuality and imitation, it then categorises and analyses the recurring style used to establish the historian's authority: how he came to write history; the qualifications he brought to the task; the inquiries and efforts he made in his research; and his claims to possess a reliable character. By detailing how each historian used the tradition to claim and maintain his own authority, the book contributes to a better understanding of the complex nature of ancient historiography.

History, Ancient --- Historiography. --- Histoire ancienne --- Historiography --- Historiographie --- -Ancient history --- Ancient world history --- History [Ancient ] --- Arts and Humanities --- History --- History, Ancient - Historiography.

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J. L. Moles (1949-2015) made fundamental contributions to the fields of ancient (especially Cynic) philosophy, Greek and Roman historiography and biography, Latin poetry, and New Testament studies. These two volumes gather together all of his major articles and reviews, along with six previously unpublished papers. The papers display Moles' individual and sometimes iconoclastic approach, his impressive range in both Classical and New Testament texts, and his unrivalled abilities in close reading. This is volume 1.

Latin poetry. --- Greece --- Historiography.

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Building upon the explosion of recent work on mythography, contributions to this volume direct attention to less frequently explored questions of how ancient poets, historians, and philosophers themselves adopted and adapted the work of mythographers. Study of the way that mythographers and their contemporaries take on positions of, alternately, "host" or "parasite" in relation to the other exposes the richness mythographic practice and the roles that mythographers played in the evolving Greco-Roman discourse of myth. From, among others, the seeds of mythographic discourse in Pindar and Plato, to the mythography of the Peripatics, the in-between mythography of Diodorus Siculus, and the "mythographic topography" of Pausanias, this volume invites a reappraisal of the role that mythography played at every stage of Greek thought about myth. Through contributions that explore both mythographers' distinctive style of studying myth to other contributions that focus primarily on the how and why of non-mythographers' use of mythographic techniques, what emerges is a picture of mythography that broadens our conception of mythography while at the same time inviting scholars to seek out more such echoes of mythographic discourse in the work of poets, historians, philosophers at large.

Mythology, Greek. --- Mythology, Classical, in literature. --- Greek. --- Latin. --- myth. --- mythography.