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For the first time, a work that breaks with the official Chinese government narrative concerning the petroleum industry and provides the true story as personally experienced by the author, Mao Huahe, a thirty-year veteran and executive in the oil industry. Mao witnessed first-hand the breakthrough discovery of the Daqing Oilfield, the behind-the-scenes political machinations and turmoil of the Cultural Revolution and the subsequent reform and opening period, and details the effects these events had upon China’s petroleum industry.
Petroleum industry and trade --- Oil fields --- History. --- Political aspects --- Huahe, Mao.
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"For the first time, a work that breaks with the official Chinese government narrative concerning the petroleum industry and provides the true story as personally experienced by the author, Mao Huahe, a thirty-year veteran and executive in the oil industry. Mao witnessed first-hand the breakthrough discovery of the Daqing Oilfield, the behind-the-scenes political machinations and turmoil of the Cultural Revolution and the subsequent reform and opening period, and details the effects these events had upon China's petroleum industry"--
Petroleum industry and trade --- Oil fields --- History --- Political aspects --- Mao, Huahe.
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Qian Zhongshu was one of twentieth-century China's most ingenious literary stylists, one whose insights into the ironies and travesties of modern China remain stunningly fresh. Between the early years of the Second Sino-Japanese War (1937-1945) and the Communist takeover in 1949, Qian wrote a brilliant series of short stories, essays, and a comedic novel that continue to inspire generations of Chinese readers.With this long-awaited translation, English-language readers can immerse themselves in the invention and satirical wit of one of the world's great literary cosmopolitans. This collection brings together Qian's best short works, combining his iconoclastic essays on the "book of life" from Written in the Margins of Life (1941) with the four masterful short stories of Human, Beast, Ghost (1946). His essays elucidate substantive issues through deceptively simple subjects-the significance of windows versus doors, for example, or the blind spots of literary criticsand assert the primacy of critical and creative independence. His stories blur the boundaries between humans, beasts, and ghosts as they struggle through life, death, and resurrection. Christopher G. Rea situates these works within China's wartime politics and Qian's literary vision, highlighting significant changes that Qian Zhongshu made to different editions of his writings and providing unprecedented insight into the author's creative process.
Chinese essays --- Short stories, Chinese --- Chinese literature --- Qian, Zhongshu, --- Chien, Chung-shu, --- Dzien, Tsoong Su, --- Qianzhongshu, --- 銭鍾書, --- 钱钟书, --- 钱锺书, --- 전 종서, --- Chŏn, Chong-sŏ, --- Chʻien, Chung-shu, --- Qian, Mocun, --- Chʻien, Mo-tsʻun, --- 钱默存, --- Qian, Huaiju, --- Chʻien, Huai-chü, --- 钱槐聚, --- Qian, Yangxian, --- Chʻien, Yang-hsien, --- 钱仰先, --- Qian, Zheliang, --- Chʻien, Che-liang, --- 钱哲良,
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Chinese essays --- Short stories, Chinese --- Qian, Zhongshu,
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