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Irish detective fiction has enjoyed an international readership for over a decade, appearing on best-seller lists across the globe. But its breadth of hard-boiled and amateur detectives, historical fiction, and police procedurals has remained somewhat marginalized in academic scholarship. Exploring the work of some of its leading writers—including Peter Tremayne, John Connolly, Declan Hughes, Ken Bruen, Brian McGilloway, Stuart Neville, Tana French, Jane Casey, and Benjamin Black—The Contemporary Irish Detective Novel opens new ground in Irish literary criticism and genre studies. It considers the detective genre’s position in Irish Studies and the standing of Irish authors within the detective novel tradition.
Literature. --- Literature, Modern --- Fiction. --- British literature. --- Contemporary Literature. --- British and Irish Literature. --- 20th century. --- 21st century. --- Detective and mystery stories, Irish (English) --- History and criticism --- Detective and mystery stories, English --- Irish detective and mystery stories (English) --- Irish detective stories (English) --- Irish mystery stories (English) --- English fiction --- Irish authors --- Literature, Modern-20th century. --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Philosophy --- Literature, Modern—20th century. --- Literature, Modern—21st century.
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Ireland's Abbey Theatre was founded in 1904. Under the guidance of W. B. Yeats and Lady Augusta Gregory it became instrumental to the success of many of the leading Irish playwrights and actors of the early twentieth century.Conventional wisdom holds that the playwright Sean O'Casey was the first to offer a new vision of Irish authenticity in the people and struggles of inner-city Dublin in his groundbreaking trilogy The Shadow of a Gunman, The Plough and the Stars, and Juno and the Paycock. Challenging this view, Mannion argues that there was an established tradition of urban plays within the Abbey repertoire that has long been overlooked by critics. She seeks to restore attention to a lesser-known corpus of Irish urban plays, specifically those that appeared at the Abbey Theatre from the theatre's founding until 1951, when the original theatre was destroyed by fire. Mannion illustrates distinct patterns within this Abbey urban genre and considers in particular themes of poverty, gender, and class. She provides historical context for the plays and considers the figures who helped shape the Abbey and this urban subset of plays. With detailed analysis of box office records and extensive appendixes of cast members and production schedules, this book offers a rich source of archival material as well as a fascinating revision to the story of this celebrated institution.
Drama --- English literature --- anno 1900-1999 --- Ireland --- City and town life in literature. --- English drama --- Irish drama --- Theater --- Irish literature --- Irish authors --- History and criticism. --- History --- Abbey Theatre --- Dublin. --- Teatr Abbatstva --- Irish National Theatre Society --- Irish Literary Theatre --- History.
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Irish detective fiction has enjoyed an international readership for over a decade, appearing on best-seller lists across the globe. But its breadth of hard-boiled and amateur detectives, historical fiction, and police procedurals has remained somewhat marginalized in academic scholarship. Exploring the work of some of its leading writers—including Peter Tremayne, John Connolly, Declan Hughes, Ken Bruen, Brian McGilloway, Stuart Neville, Tana French, Jane Casey, and Benjamin Black—The Contemporary Irish Detective Novel opens new ground in Irish literary criticism and genre studies. It considers the detective genre’s position in Irish Studies and the standing of Irish authors within the detective novel tradition.
Fiction --- English literature --- Literature --- detectiveromans --- fantasy --- literatuur --- Engelse literatuur --- French, Tana --- Tremayne, Peter --- Sister Fidelma [Fictieve figuur] --- Connolly, John --- Charlie Parker [Fictieve figuur] --- Hughes, Declan --- Ed Loy [Fictieve figuur] --- Bruen, Ken --- Jack Taylor [Fictieve figuur] --- McGilloway, Brian --- Benedict Devlin [Fictieve figuur] --- Neville, Stuart --- Casey, Jane --- Maeve Kerrigan [Fictieve figuur] --- Black, Benjamin --- Quirke [Fictieve figuur] --- anno 1900-1999 --- anno 2000-2099 --- Belfast --- Great Britain --- Dublin --- Ireland --- Belfast [Northern Ireland] --- Dublin [Ireland, city] --- Literature, Modern—20th century. --- Literature, Modern—21st century. --- British literature. --- Fiction. --- Contemporary Literature. --- British and Irish Literature.
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"Irish crime fiction, long present on international Best Seller lists, has been knocking on the door of the academy for a decade. With a varied mix of Irish Studies scholars providing comprehensive analyses on essential Irish detective series, Guilt Rules All: Mysteries, Detectives, and Crime in Irish Fiction establishes once and for all that this genre has arrived"--
English fiction --- Detective and mystery stories, Irish (English) --- Irish authors --- History and criticism.
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