Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Neo-Victorian Young Adult Narratives examines the neo-Victorian themes and motifs currently appearing in young adult fiction—specifically addressing the themes of authorship, sexuality, and criminality in the context of the Victorian age in British and American cultures. This book explicates the complicated relationship between the Victorian past and the turn to Victorian modes of thought on literature, history, and morality. Additionally, Sarah E. Maier aims to determine if the appeal of neo-Victorian young adult fiction rests in or resists nostalgia, parody, and revision. Given the overwhelming prevalence of the Victorian in the young adult genres of biofiction, juvenile writings, gothic, sensation, mystery, and crime fiction, there is much to investigate in terms of the friction between the past and the present. Sarah E. Maier is Professor of English & Comparative Literature at the University of New Brunswick. Her recentpublications include work on Ann Lister, the Brontës, neo-Victorian vampires, neo-Victorian Alienists, Maleficent, neo-Gothicism, and Queer Mash-ups. Maier has written A Vindication of the Redhead (2021 Palgrave) with Brenda Ayres, and they have co-edited The Palgrave Handbook of Neo-Victorianism (2023 Palgrave), Neo-Victorian Things (2022 Palgrave), Neo-Disneyism (2022 Lang), The Routledge Handbook of Victorian Scandals in Literature and Culture (2022 Routledge), The Theological Dickens (2022 Routledge), Neo-Victorian Madness (2020 Palgrave), Neo-Gothic Narratives: (2020 Anthem), Animals and Their Children in Victorian Culture (2019 Routledge), and Reinventing Marie Corelli (2019 Anthem). .

Young adult fiction --- History and criticism. --- Literature, Modern --- Children's literature. --- Fiction. --- Youth --- Contemporary Literature. --- Nineteenth-Century Literature. --- Children's Literature. --- Fiction Literature. --- Youth Culture. --- 20th century. --- 21st century. --- 19th century. --- Social life and customs.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media investigates contemporary fiction, cinema and television shows set in the Victorian period that depict mad murderers, lunatic doctors, social dis/ease and madhouses as if many Victorians were “mad.” Such portraits demand a “rediagnosing” of mental illness that was often reduced to only female hysteria or a general malaise in nineteenth-century renditions. This collection of essays explores questions of neo-Victorian representations of moral insanity, mental illness, disturbed psyches or non-normative imaginings as well as considers the important issues of legal righteousness, social responsibility or methods of restraint and corrupt incarcerations. The chapters investigate the self-conscious re-visions, legacies and lessons of nineteenth-century discourses of madness and/or those persons presumed mad rediagnosed by present-day (neo-Victorian) representations informed by post-nineteenth-century psychological insights. .

Mental illness on television. --- Mental illness in motion pictures. --- Historical fiction --- Mental illness in literature. --- History and criticism. --- Insanity in literature --- Psychopathology in literature --- Motion pictures --- Television --- Literature, Modern—20th century. --- Literature, Modern—21st century. --- Literature, Modern—19th century. --- Gothic fiction (Literary genre). --- Motion pictures. --- Motion pictures—Great Britain. --- History. --- Contemporary Literature. --- Nineteenth-Century Literature. --- Gothic Fiction. --- Adaptation Studies. --- British Cinema and TV. --- History of Science. --- Annals --- Auxiliary sciences of history --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Gothic horror tales (Literary genre) --- Gothic novels (Literary genre) --- Gothic romances (Literary genre) --- Gothic tales (Literary genre) --- Romances, Gothic (Literary genre) --- Detective and mystery stories --- Horror tales --- Suspense fiction --- History and criticism --- Literature, Modern --- Fiction. --- Adaptation (Literary, artistic, etc.). --- Science --- Fiction Literature. --- British Film and TV. --- Arts --- Inspiration --- Literature --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Novelists --- 20th century. --- 21st century. --- 19th century. --- Great Britain. --- Philosophy

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

A Vindication of the Redhead investigates red hair in literature, art, television, and film throughout Eastern and Western cultures. This study examines red hair as a signifier, perpetuated through stereotypes, myths, legends, and literary and visual representations. Brenda Ayres and Sarah E. Maier provide a history of attitudes held by hegemonic populations toward red-haired individuals, groups, and genders from antiquity to the present. Ayres and Maier explore such diverse topics as Judeo-Christian narratives of red hair, redheads in Pre-Raphaelite paintings, red hair and gender identity, famous literary redheads such as Anne of Green Gables and Pippi Longstocking, contemporary and Neo-Victorian representations of redheads from the Black Widow to The Girl with the Dragon Tattoo, and more. This book illuminates the symbolic significance and related ideologies of red hair constructed in mythic, religious, literary, and visual cultural discourse. Brenda Ayres, now semiretired, teaches online English courses for Liberty University and Southern New Hampshire University, USA. Sarah E. Maier is Professor of English and Comparative Literature at the University of New Brunswick Saint John, Canada. Ayres and Maier have coedited several collections of essays. The most recent are The Theological Dickens (2021), Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media (Palgrave Macmillan, 2020), Neo-Gothic Narratives: Illusory Allusions from the Past (2020), Animals and Their Children in Victorian Culture (2019) and Reinventing Marie Corelli for the Twenty-first Century (2019).

Literature --- Redheads in art --- History and criticism. --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- Appraisal --- Evaluation --- Literature, Modern --- Clothing and dress --- Human body in popular culture. --- Goth culture (Subculture). --- Civilization --- Nineteenth-Century Literature. --- Contemporary Literature. --- Literary Criticism. --- Fashion and the Body. --- Gothic Studies. --- Cultural History. --- Cultural history --- Gothic culture (Subculture) --- Subculture --- Body, Human, in popular culture --- Popular culture --- Society and clothing --- 19th century. --- 20th century. --- 21st century. --- Social aspects. --- History. --- Goth culture (Subculture)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

A Vindication of the Redhead investigates red hair in literature, art, television, and film throughout Eastern and Western cultures. This study examines red hair as a signifier, perpetuated through stereotypes, myths, legends, and literary and visual representations. Brenda Ayres and Sarah E. Maier provide a history of attitudes held by hegemonic populations toward red-haired individuals, groups, and genders from antiquity to the present. Ayres and Maier explore such diverse topics as Judeo-Christian narratives of red hair, redheads in Pre-Raphaelite paintings, red hair and gender identity, famous literary redheads such as Anne of Green Gables and Pippi Longstocking, contemporary and Neo-Victorian representations of redheads from the Black Widow to The Girl with the Dragon Tattoo, and more. This book illuminates the symbolic significance and related ideologies of red hair constructed in mythic, religious, literary, and visual cultural discourse. Brenda Ayres, now semiretired, teaches online English courses for Liberty University and Southern New Hampshire University, USA. Sarah E. Maier is Professor of English and Comparative Literature at the University of New Brunswick Saint John, Canada. Ayres and Maier have coedited several collections of essays. The most recent are The Theological Dickens (2021), Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media (Palgrave Macmillan, 2020), Neo-Gothic Narratives: Illusory Allusions from the Past (2020), Animals and Their Children in Victorian Culture (2019) and Reinventing Marie Corelli for the Twenty-first Century (2019).

Sociology of culture --- Literature --- History of civilization --- Gothic --- cultuurgeschiedenis --- literatuur --- literatuurgeschiedenis --- anno 1800-1899 --- anno 1900-1999