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830 "17/18" --- German literature --- -German literature --- -Androgyny (Psychology) in literature --- Aesthetics, German --- -Aesthetics, German --- -Bildungsromans --- -Apprenticeship novels --- Bildungsroman --- Bildungsromane --- Coming of age --- Coming-of-age novels --- Entwicklungsromane --- Erziehungsromane --- Fiction --- German aesthetics --- Duitse literatuur--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- History and criticism --- Androgyny (Psychology) in literature. --- Bildungsromans --- History and criticism. --- -Duitse literatuur--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- -830 "17/18" Duitse literatuur--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- Apprenticeship novels --- 830 "17/18" Duitse literatuur--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- Androgyny (Psychology) in literature --- Young Germany
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This book looks at the representation of female characters in French comics from their first appearance in 1905. Organised into three sections, the book looks at the representation of women as main characters created by men, as secondary characters created by men, and as characters created by women. It focuses on female characters, both primary and secondary, in the francophone comic or bande dessinée, as well as the work of female bande dessinée creators more generally. Until now these characters and creators have received relatively little scholarly attention; this new book is set to change this status quo. Using feminist scholarship, especially from well-known film and literary theorists, the book asks what it means to draw women from within a phallocentric, male-dominated paradigm, as well as how the particular medium of bande dessinée, its form as well as its history, has shaped dominant representations of women. This is the first book to study the representation of women in the French-language drawn strip. There are no other works with this specific focus, either on women in Franco-Belgian comics, or on the drawn representation of women by men. This is a very useful addition to both general discussions of French-language comics, and to discussions of women’s comics, which are focused on comics by women only. As it is written in English, and due to the popularity of comic art in Britain and the United States, this book will primarily appeal to an Anglo-American market. However, the cultural and gender studies approach this text employs (theoretical frameworks still not widely seen in non-Anglophone studies of the bande dessinée) will ensure that the text is also of interest to a Franco-Belgian audience. With a focus on an art-form which also inspires a lot of public (non-academic) enthusiasm, it will also appeal to fans of the bande dessinée (or wider comic art medium) who are interested in the representation of women in comic art, and to comics scholars on a broad scale. --Intelect Books
Comic books, strips, etc --- Women in literature. --- Comic books, strips, etc. --- History and criticism --- France. --- 82-931 --- 76 <44> "19" --- 76 <44> "19" Grafische kunsten. Grafiek. Prentkunst--Frankrijk--20e eeuw. Periode 1900-1999 --- Grafische kunsten. Grafiek. Prentkunst--Frankrijk--20e eeuw. Periode 1900-1999 --- 82-931 Stripverhaal --- Stripverhaal --- Women in literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry
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Developmental psychology --- Ethics of family. Ethics of sexuality --- Sociology of the family. Sociology of sexuality --- Gynaecology. Obstetrics --- Girls --- Sexuality education --- Pregnancy --- Book --- Abortion --- Adolescence --- South Africa
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Thematology --- Sociology of literature --- Guyana
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Overseas department of France in Amazonia and 'ultraperipheral region' of the EU, Guyane (French Guiana) is at the juncture of Europe, the Caribbean and South America. This collection of essays explores historical and conceptual locations of Guyane, as a relational space characterised by dynamics of interaction and conflict between the local, the national and the global. Does Guyane have, or has it had, its own place in the world, or is it a borderland which can only make sense in relation to elsewhere: to France and its colonial history, for example, or to African and other diasporas, or as a 'margin' of Europe? This edited collection studies Guyane from multiple historical and contemporary perspectives.
French Guiana. --- French Guiana --- History. --- Civilization. --- culture --- history --- Caribbean --- identities --- imperialism --- Guyane --- postcolonial --- society --- France --- South America
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