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Popular music --- Music trade --- History and criticism. --- Social aspects --- Censorship --- Musique populaire --- Musique --- Burma --- Aspect social --- Industrie et commerce --- Censure --- Histoire et critique
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Burma's Pop Music Industry is the first book to explore the contemporary pop music industry in a country that is little known or understood in the West. Based on years of fieldwork in Burma/Myanmar, Heather MacLachlan's work explores the ways in which aspiring musical artists are forging a place within the highly repressive social and political context that is Burma today. It deals sensitively with issues such as negotiating local and global styles,performance contexts and practices, and, more importantly, with ethical issues such as the anonymity of informants and the place of Western ethnomusicologists in countries outside the West. Drawn from interviews conducted from 2007 through 2009 with Burmese composers, performers, producers, concert promoters, journalists, recording engineers, radio station employees, music teachers, and censors in Yangon -- Burma's largest city and the locus of all pop music production -- Burma's Pop Music Industry represents a significant contribution both to popular music studies and to Southeast Asian studies.
Popular music --- Popular music. --- Music trade. --- PHILOSOPHY --- MUSIC --- Music trade --- Social aspects. --- Censorship. --- General. --- Genres & Styles --- Pop Vocal. --- New Age. --- International. --- Censorship --- Social aspects --- History and criticism. --- Burma. --- Music business --- Music industry --- Cultural industries --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Barma --- Birma --- Birmânia --- Birmanie --- Birmanskiĭ Soi͡uz --- Birmanya --- Birmo --- Bŏma --- Bourma --- Burma --- Burmah --- Dēmokratia tēs Enōsēs tēs Mianmar --- Enōsē tou Mianmar --- Maenmar --- Miandian --- M'i͡anma --- Mianmar --- Mianmari Államszövetség Köztársasága --- Mien Chin --- Mijanmar --- Mijanmarska Unija --- Miyanma --- Mjanma --- Mjanmaa Unio --- Mjanmao --- Mjanmar --- Mranʻ m --- Mranʻ mā Nuiṅʻ ṅaṃ toʻ --- Myanma --- Myanma Birliyi Respublikası --- Myanma Naingngandaw --- Myanmar --- Myanmar Unionens Republik --- Myanmari Liidu Vabariik --- Myanmarin tasavallan unioni --- Myanmarko Batasuna --- P'idaŭnzu M'i͡anma Naĭnhanda --- Praññʻ thoṅʻ cu Chuirhayʻlacʻ Sammata Mranʻ mā Nuiṅʻ ṅaṃ toʻ --- Praññʻ thoṅʻ cu Sammata Mranʻ mā Nuiṅʻ ṅaṃ toʻ --- Puruma --- Pye Tawngsu Thammada Myanma Naingngan --- Pyi-daung-zu Myan-mar Naing-ngan-daw --- Pyidaungsu Myanmma Naing Ngan-Daw --- Pyidaungsu Socialist Thammada Myanma Naingngandaw --- Pyidaungsu Thamada Myanmar Naing-Ngan-Daw --- Pyidaungzu Myanma Naingngandaw --- Pyidaungzu Thammada Myanma Naingngandaw --- Pyidaunzu Thanmăda Myăma Nainngandaw --- Republic of the Union of Myanmar --- República de la Unió de Myanmar --- República de la Unión de Myanmar --- Republik der Union von Myanmar --- Republika Sŭi͡uz Mianmar --- République de l'Union du Myanmar --- Rėspublika Sai͡uz M'i͡anma --- Sai͡uz M'i͡anma --- Socialist Republic of the Union of Burma --- Svazová republika Myanmar --- Undeb Myanmar --- Unie van Birma --- Unie van Mianmar --- Unija Mjanmar --- Unión de Birmania --- Unión de Myanmar --- Union of Burma --- Union of Myanmar --- Virmania
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"Can you change the world through song? This appealing idea has long been the professed aim of singers who are part of choruses affiliated with the Gay and Lesbian Association of Choruses (GALA). Theses choruses first emerged in the 1970s, and grew out of a very American tradition of (often gender-segregated) choral singing that explicitly presents itself as a community-based activity. By taking a close look at these choruses and their mission, Heather MacLachlan unpacks the fascinating historical and cultural dynamics behind groups that seek to change society for the better by encouraging acceptance of LGBT-identified people and promoting diversity more generally. She characterizes their mission as "integrationist rather than liberationist" and zeroes in on the inherent tension between GALA's progressive social goals and the fact that the music most often performed by GALA groups is deeply rooted in a fairly narrowly conceived tradition of art music that identifies as white, Euro-centric, and middle class--and that much of the membership identifies as white and middle class as well. Pundits often wax eloquent about the power of music, asserting that it can, in some positive way, change the world. Such statements often rest on an unexamined claim that music can and does foster social justice. Singing Out: GALA Choruses and Social Change tackles the premise underlying such claims, analyzing groups of amateur singers who are explicitly committed to an agenda of social justice"--
Gay singers. --- Homosexuality in music. --- Gender identity in music. --- Music --- Social justice. --- Social aspects. --- GALA choruses.
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