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This book, written from the perspective of a designer and educator, brings to the attention of media historians, fellow practitioners and students the innovative practices of leading moving image designers. Moving image design, whether viewed as television and movie title sequences, movie visual effects, animating infographics, branding and advertising, or as an artform, is being increasingly recognised as an important dynamic part of contemporary culture. For many practitioners this has been long overdue. Central to these designers' practice is the hydridisation of digital and heritage methods. Using interviews with world-leading motion graphic designers, Oscar-nominated visual effects supervisors and moving image artists this book examines hybrid moving image that re-invigorate heritage practices, the handmade and the analogue crafts. Now is the time to ensure that heritage skills do not atrophy, but that their qualities and provenance are understood as potent components with digital practices in new hybrids. Iain Macdonald is Associate Professor, Subject Group Leader of Design, Photography and Advertising, and Programme Leader for MSc Creative Advertising at Edinburgh Napier University, UK. His creative industry experience spans over 25 years as an award winning television graphic designer at BBC Television, and as a film and commercials director. .
Culture --- Animated films. --- Motion pictures. --- Fine arts. --- Image processing. --- Multimedia systems. --- Graphic design. --- Cultural and Media Studies. --- Fine Arts. --- Film Theory. --- Animation. --- Graphic Design. --- Media Design. --- Image Processing and Computer Vision. --- Study and teaching. --- Graphic arts. --- Computer art. --- Video art. --- Electronic art --- Experimental television --- Art, Computer --- Computer craft --- Digital art --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Art, Modern --- Performance art --- Television --- Experimental films --- New media art --- Art --- Visual communication --- Architectural design. --- Computer science. --- Computer vision. --- Informatics --- Science --- Design --- Structural design --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation (Cinematography) --- Animation cels --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Machine vision --- Vision, Computer --- Artificial intelligence --- Image processing --- Pattern recognition systems --- History and criticism --- Multimedia systems . --- Optical data processing. --- Optical computing --- Visual data processing --- Bionics --- Electronic data processing --- Integrated optics --- Photonics --- Computers --- Computer-based multimedia information systems --- Multimedia computing --- Multimedia information systems --- Multimedia knowledge systems --- Information storage and retrieval systems --- Optical equipment
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This book, written from the perspective of a designer and educator, brings to the attention of media historians, fellow practitioners and students the innovative practices of leading moving image designers. Moving image design, whether viewed as television and movie title sequences, movie visual effects, animating infographics, branding and advertising, or as an artform, is being increasingly recognised as an important dynamic part of contemporary culture. For many practitioners this has been long overdue. Central to these designers' practice is the hydridisation of digital and heritage methods. Using interviews with world-leading motion graphic designers, Oscar-nominated visual effects supervisors and moving image artists this book examines hybrid moving image that re-invigorate heritage practices, the handmade and the analogue crafts. Now is the time to ensure that heritage skills do not atrophy, but that their qualities and provenance are understood as potent components with digital practices in new hybrids. Iain Macdonald is Associate Professor, Subject Group Leader of Design, Photography and Advertising, and Programme Leader for MSc Creative Advertising at Edinburgh Napier University, UK. His creative industry experience spans over 25 years as an award winning television graphic designer at BBC Television, and as a film and commercials director. .
Journalism --- Sociology of culture --- Didactics of the arts --- Computer. Automation --- Art --- Graphic arts --- Film --- DIP (documentimage processing) --- beeldverwerking --- cultuur --- film --- grafische vormgeving --- kunst --- landbouw --- media --- animatiefilms
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Possibility is a concept central to both philosophy and social theory. But in what philosophical soil, if any, does the possibility of a better society grow? At the intersection of metaphysics and social theory, What Would Be Different looks to Theodor W. Adorno to reflect on the relationship between the possible and the actual. In repeated allusions to utopia, redemption, and reconciliation, Adorno appears to reference a future that would break decisively with the social injustices that have characterized history. To this end, and though he never explains it in any detail—let alone in the form of a full-blown theory or metaphysics—he also makes extensive technical use of the concept of possibility. Taking Adorno's critical readings of other thinkers, especially Hegel and Heidegger, as his guiding thread, Iain Macdonald reflects on possibility as it relates to Adorno's own writings and offers answers to the question of how we are to articulate such possibilities without lapsing into a vague and naïve utopianism.
Possibility. --- Critical theory. --- Adorno, Theodor W., --- Adorno. --- Benjamin. --- Hegel. --- Heidegger. --- dialectic. --- metaphysics. --- modality. --- possibility. --- social theory.
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Adorno and Heidegger explores the conflictual history of two important traditions of twentieth-century European thought: the critical theory of Theodor W. Adorno and the ontology of Martin Heidegger. As is well known, there has been little productive engagement between these two schools of thought, in large measure due to Adorno's sustained and unanswered critique of Heidegger. Stemming from this critique, numerous political and philosophical barriers have kept these traditions separate, such that they have rarely been submitted to scrutiny, let alone questioned. The essays making up this collection are fresh and original attempts at coming to terms with the nuances and difficulties that these two towering figures have bequeathed to the history of European thought. The volume's authors deal with a variety of issues ranging from epistemology to esthetics, to ethics, to intellectual history and modernity, providing the reader with detailed insight into a thorny debate in the history of recent European thought.
Adorno, Theodor W., --- Heidegger, Martin, --- Wiesengrund, Theodor, --- Wiesengrund-Adorno, Theodor, --- Adorno, Teodor V., --- Adorŭno, --- אדורנו, תאודור --- אדורנו, ת. ו. --- Adorno, Th. W. --- Heidegger, Martin --- Philosophy --- Philosophers --- Adorno, Theodor W. --- Khaĭdegger, Martin, --- Haĭdegger, Martin, --- Hīdajar, Mārtin, --- Hai-te-ko, --- Haidegŏ, --- Chaitenger, Martinos, --- Chaitenker, Martinos, --- Chaintenger, Martin, --- Khaĭdeger, Martin, --- Hai-te-ko-erh, --- Haideger, Marṭinn, --- Heidegger, M. --- Haideger, Martin, --- Hajdeger, Martin, --- הייגדר, מרתין --- היידגר, מרטין --- היידגר, מרטין, --- 海德格尔, --- Chaintenker, Martin, --- Hāydigir, Mārtīn, --- Hīdigir, Mārtīn, --- هاىدگر, مارتين, --- هىدگر, مارتين, --- Philosophers - Germany --- Heidegger, Martin, - 1889-1976 --- Adorno, Theodor W., - 1903-1969
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The Highlander has never enjoyed a good press, and has been usually characterised as peripheral and barbaric in comparison to his Lowland neighbour, more inclined to fighting than serving God. In Clerics and Clansmen Iain MacDonald examines how the medieval Church in Gaelic Scotland, often regarded as isolated and irrelevant, continued to function in the face of poverty, periodic warfare, and the formidable powers of the clan chiefs. Focusing upon the diocese of Argyll, the study analyses the life of the bishopric, before broadening to consider the parochial clergy – in particular origins, celibacy, education, and pastoral care. Far from being superficial, it reveals a Church deeply embedded within its host society while remaining plugged into the mainstream of Latin Christendom.
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Stochastic processes --- Time-series analysis --- Markov processes --- R (Computer program language) --- Série chronologique --- Markov, Processus de --- R (Langage de programmation) --- 519.55 --- GNU-S (Computer program language) --- Domain-specific programming languages --- Analysis, Markov --- Chains, Markov --- Markoff processes --- Markov analysis --- Markov chains --- Markov models --- Models, Markov --- Processes, Markov --- Analysis of time series --- Autocorrelation (Statistics) --- Harmonic analysis --- Mathematical statistics --- Probabilities --- Série chronologique
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Markov processes --- Time-series analysis --- Discrete-time systems --- Markov, Processus de --- Série chronologique --- Systèmes échantillonnés --- DES (System analysis) --- Discrete event systems --- Sampled-data systems --- Digital control systems --- Linear time invariant systems --- Analysis of time series --- Autocorrelation (Statistics) --- Harmonic analysis --- Analysis, Markov --- Chains, Markov --- Markoff processes --- Markov analysis --- Markov chains --- Markov models --- Models, Markov --- Processes, Markov --- Discrete-time systems. --- Markov processes. --- Time-series analysis. --- Série chronologique --- Systèmes échantillonnés --- Stochastic processes --- Discrete mathematics --- System analysis --- Mathematical statistics --- Probabilities
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