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A Renaissance woman long before the Renaissance, the visionary Hildegard of Bingen (1098-1179) corresponded with Europe's elite, founded and led a noted women's religious community, and wrote on topics ranging from theology to natural history. Yet we know her best as Western music's most accomplished early composer, responsible for a wealth of musical creations for her fellow monastics. Honey Meconi draws on her own experience as a scholar and performer of Hildegard's music to explore the life and work of this foundational figure. Combining historical detail with musical analysis, Meconi delves into Hildegard's mastery of plainchant, her innovative musical drama, and her voluminous writings. Hildegard's distinctive musical style still excites modern listeners through wide-ranging, sinuous melodies set to her own evocative poetry. Together with her passionate religious texts, her music reveals a holistic understanding of the medieval world still relevant to today's readers.

Composers --- Women composers --- Composers, Women --- Women as composers --- Women musicians --- Hildegard, --- Bingen, Hildegard von, --- Hildegarde, --- Hildegardis, --- Ildegarda, --- Hildegardis Bingensis --- Hildegard von Bingen --- Hildegard van Bingen --- Hildegarde de Bingen --- Hildegard of Bingen --- von Bingen, Hildegard

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Hildegard of Bingen

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Zonder onderwerpscode: muziek --- Chansons polyphoniques --- Chansons polyphoniques françaises --- Chansons polyphoniques italiennes --- Chansons polyphoniques latines --- Chansons polyphoniques néerlandaises --- Choruses [Secular ] [Unaccompanied ] --- Ch÷urs profanes a cappella --- Italiaanse meerstemmige liederen --- Italian part songs --- Koren [Wereldlijke ] [Onbegeleide ] --- Latin part songs --- Liederen [Franse meerstemmige ] --- Liederen [Italiaanse meerstemmige ] --- Liederen [Latijnse meerstemmige ] --- Liederen [Meerstemmige ] --- Liederen [Nederlandse meerstemmige ] --- Part songs --- Part songs [Italian ] --- Part-songs [Dutch ] --- Part-songs [French ] --- Part-songs [Italian ] --- Part-songs [Latin ] --- Polyphonies italiennes --- 091 <45 FIRENZE> --- 091:78 --- #BIBC:02.43 ALAMIRE --- Handschriftenkunde. Handschriftencatalogi--Italië--FIRENZE --- Handschriften i.v.m. muziek --- 091:78 Handschriften i.v.m. muziek --- 091 <45 FIRENZE> Handschriftenkunde. Handschriftencatalogi--Italië--FIRENZE --- Music --- Manuscripts --- Facsimiles --- Motetten --- Iconografie --- Lage Landen --- Renaissance --- 16e eeuw --- Nederlanden --- Frankrijk --- Liederen

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Chapelles (Musique) --- Chapelles musicales --- Chapelles royales (Musique) --- Chapels (Music) --- Chapels royal (Music) --- Kapellen (Muziek) --- Music chapels --- Muziekkapellen --- Musical groups --- La Rue, Pierre de, --- Habsburg, House of. --- De la Rue, Pierre, --- Delarue, Pierre, --- La Rue, P. de --- La Rue, Perchon, --- La Rue, Petrus de, --- La Rue, Pierchon de, --- La Rue, Pierrazon, --- La Rue, Pierson, --- La Rue, Pirson, --- Larue, Petrus de, --- Peteren van Straeten, --- Petrus de Platea, --- Petrus de Robore, --- Petrus de Vico, --- Petrus la Vic, --- Petrus Platensis, --- Petrus Vicanus, --- Piero delapiazza, --- Rue, Pierre de la, --- Criticism and interpretation. --- Habsburg [House of ] --- La Rue, Pierre de --- Criticism and interpretation --- 78.21.1 de la Rue