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This study thinks with photography about peace. It asks how photography can represent peace, and how such representation can contribute to peace. The book offers an original critique of the almost exclusive focus on violence in recent work on visual culture and presents a completely new research agenda within the overall framework of visual peace research. Critically engaging with both photojournalism and art photography in light of peace theories, it looks for visual representations or anticipations of peace – peace or peace as a potentiality – in the work of selected photographers including Robert Capa and Richard Mosse, thus reinterpreting photography from the Spanish Civil War to current anti-migration politics in Europe. The book argues that peace photography is episodic, culturally specific, process-oriented and considerate of both the past and the future. Frank Möller is Senior Research Fellow at the Tampere Peace Research Institute (TAPRI), University of Tampere, Finland, where he created and established visual peace research as an integral ingredient of peace and conflict studies.

Journalism --- International relations. Foreign policy --- Criminology. Victimology --- Polemology --- Photography --- fotografie --- journalisten --- criminologie --- polemologie --- vrede --- terrorisme --- internationale betrekkingen

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This book argues that we can capitalize on the tolerance of ambiguity-enhancing potentialities inherent in visual images – their non-coherence – and thus increase our capability of tolerating ambiguities. Studying international relations equals studying ambiguity. The international system is complex, and where there is complexity, there is also ambiguity. Crucially, in a world saturated not only with ambiguities but also with visual images, it is mandatory to think ambiguity and visuality together. The authors analyze the constructive and peaceful potentialities of ambiguities through an exploration of journalistic imagery in the context of post-war Bosnia and post-siege Sarajevo. The book is a theoretically sophisticated, yet accessible, and politically relevant exercise in inter-disciplinary thinking, uniquely combining literature on complexity, ambiguity and visuality thus offering important readings for international relations, peace and conflict research, and security studies. Rasmus Bellmer is based in Berlin and currently works for the Berghof Foundation. He holds a master’s degree in Peace, Mediation and Conflict Research. From 2020 to 2022, he worked as a project researcher in the research project Peace Videography, funded by Kone Foundation, and was affiliated with the Tampere Peace Research Institute, Tampere University, Finland. His research was published in journals such as International Political Sociology, Peacebuilding and Journal of Peace Education. Frank Möller is a peace and conflict researcher residing in Tampere (Finland). He is affiliated with Tampere University as Docent in Peace and Conflict Research. From 2020 to 2022, he was in charge of the project Peace Videography, funded by Kone Foundation, and in 2023, he received a scholarship grant from the Gerda Henkel Foundation. Möller is the co-editor of Art as a Political Witness (2017) and the author of Visual Peace: Images, Spectatorship and the Politics of Violence (2013), Peace Photography (2019) and numerous journal articles and book chapters.

Peace. --- International relations. --- Security, International. --- Peace and Conflict Studies. --- International Relations. --- International Security Studies. --- Collective security --- International security --- International relations --- Disarmament --- International organization --- Peace --- Coexistence --- Foreign affairs --- Foreign policy --- Foreign relations --- Global governance --- Interdependence of nations --- International affairs --- Peaceful coexistence --- World order --- National security --- Sovereignty --- World politics --- Coexistence, Peaceful --- Peace-building --- Security, International

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Allemagne --- Historiographie.

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Jazz musicians --- Webster, Ben,