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Technopaignia is the first comprehensive collection and scholarly analysis of a corpus of literary phenomena whose particularity consists in the artistic play with formal features (acrostics, anagrams, palindromes et cetera). The study both discusses each phenomenon separately as a part of the history of ancient literature and touches upon more fundamental questions about the conception of language, the interaction of literary production and reception, the relation of literary and non-literary forms of writing, the nature of art et cetera It thus combines a literary approach with issues from other fields of classical studies. Furthermore, most technopaignia have enjoyed a long tradition of imitation and revival, hence this book provides a basis for reception studies and the study of modern literatures. Die griechischen Technopaignia, eine Gruppe von literarischen Formspielen (Akrosticha, Anagrammen, Palindromen, Isopsepha, Figurengedichten u.ä.), werden hier erstmals systematisch zusammengestellt und besprochen. Neben der Untersuchung der einzelnen Phänomene und ihrer Bedeutung für die Literaturgeschichte wirft die Studie auch grundsätzlichere Fragen zur Konzeption von literarischem Spiel, den Grenzen und Möglichkeiten von Sprache, der Wechselwirkung von literarischer Produktion und Rezeption, dem Verhältnis von Literatur und Subliteratur oder dem Wesen von Kunst auf und verbindet damit den literarhistorischen mit einem kulturwissenschaftlichen Ansatz. Die antiken Technopaignia sind außerdem Vorläufer einer literarischen Tradition, die bis in die heutige Zeit lebendig bleibt. Ihre Untersuchung bietet dadurch einen Ausgangspunkt für das Studium ihrer Rezeption und für komparatistische Fragestellungen.
Technopaignia --- Greek poetry --- History and criticism --- Technique --- History and criticism. --- Technique. --- Poésie grecque --- Technopaegnia --- Visual poetry, Greek --- Visual poetry, Greek (Modern) --- Greek literature --- Technopaignia - History and criticism --- Greek poetry - Technique
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In May 2011, a conference on riddles and word games in Greek and Latin poetry took place at the Institute of Classical Studies of the University of Warsaw. The conference was intended as an open forum where specialists working in different fields of classical studies could meet to discuss the varied manifestations of riddles and other technopaegnia - both terms being understood broadly to encompass the full range of play with language in classical antiquity, in keeping with the use made of the two terms in ancient and early modern theoretical discussions. This volume offers revised versions of the papers presented during the conference. Contributions by scholars from Europe and the USA treat a number of interconnected topics, including: ancient and modern attempts to formulate a definition of the riddle; poetic games at Greek symposia; experimentation with language in late classical poetry; riddles in the book cultures of the Hellenistic age and late antiquity; the functions of word games carved in stone, written on papyrus, or inscribed on the wall as graffiti; authors famed for their obscurity, such as Heraclitus and Lycophron; wordplay in Neo-Latin poetry; oracles, magic squares, pattern poetry, palindromes and acrostichs.
Greek poetry --- Latin poetry --- Riddles in literature. --- Plays on words --- Rhetoric, Ancient. --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Play of words --- Play on words --- Word play --- Wordplay --- Semantics --- Wit and humor --- History and criticism. --- Rhetoric --- Greek and Roman Culture. --- Greek and Roman Literature. --- Neo-Latin Studies. --- Riddles. --- Word Games.
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