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John Webster's classic revenge tragedy The Duchess of Malfi was first performed in 1613 and published in 1623. This guide offers students an introduction to its critical and performance history, including recent versions on stage and screen. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays presenting new critical positions that offer divergent perspectives on Webster's religio-political allegiances and the politics and gendering of secrecy in the play. Finally, a guide to critical, web-based and production-related resources and an.
English drama --- History and criticism. --- Webster, John, --- Webster, John --- Literary studies: c 1500 to c 1800 --- Criticism and interpretation.
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The female voice was deployed by male and female authors alike to signal emerging discourses of religious and political liberty in early Stuart England. Christina Luckyj's important new study focuses critical attention on writing in multiple genres to show how, in the coded rhetoric of seventeenth-century religious politics, the wife's conscience in resisting tyranny represents the rights of the subject, and the bride's militant voice in the Song of Songs champions Christ's independent jurisdiction. Revealing this gendered system of representation through close analysis of writings by Elizabeth Cary, Aemilia Lanyer, Rachel Speght, Mary Wroth and Anne Southwell, Luckyj illuminates the dangers of essentializing female voices and restricting them to domestic space. Through their connections with parliament, with factional courtiers, or with dissident religious figures, major women writers occupied a powerful oppositional stance in relation to early Stuart monarchs and crafted a radical new politics of the female voice.
English literature --- Liberty in literature. --- History and criticism. --- Women authors --- Freedom in literature --- Liberty as a theme in literature --- Women in literature. --- Religion and politics --- Religion and literature --- History
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English literature --- History of civilization --- History of the United Kingdom and Ireland --- anno 1600-1699
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Thematology --- English literature --- anno 1500-1599 --- anno 1600-1699
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Sociology of the family. Sociology of sexuality --- Theatrical science --- Fiction --- Thematology --- Gender --- Discourse analysis --- Literature --- Writers --- Theatre --- Book --- anno 1500-1799 --- Great Britain
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Drama --- English literature --- Webster, John
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Women and literature --- Female friendship in literature. --- Women in literature. --- English literature --- Literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- History and criticism.
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"This third edition of Othello offers a completely new introduction by Christina Luckyj, providing readers with a nuanced understanding of early modern theatre and culture, and demonstrating how careful attention to Shakespeare's language, staging and dramaturgy can open up fresh interpretations of the play. Tracing critical and performance trends up to the present day, Luckyj shows how the drama taps into contemporary cultural paradoxes surrounding blackness, marriage and politics to create a powerful double perspective, illuminating the creative and destructive power of stories and of human love itself. Supplemented by an updated Reading list and extensive illustrations, the edition also features revised commentary notes, offering the very best in contemporary criticism of this great tragedy."--Page 4 of cover.
Husband and wife --- Muslims --- Jealousy --- Othello --- Shakespeare, William, --- Shakespeare, William, --- Venice (Italy)
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