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Laudatory poetry, Latin --- Verse satire, Latin --- Narration (Rhetoric) --- Rhetoric, Ancient --- Poésie élogieuse latine --- Poésie satirique latine --- Narration --- Rhétorique ancienne --- History and criticism --- Histoire et critique --- Horace. --- Rome --- Rome dans la littérature --- In literature --- Narrative poetry, Latin --- Odes, Latin --- Rhetoric, Ancient. --- History and criticism. --- History --- Odes --- In literature. --- Poésie élogieuse latine --- Poésie satirique latine --- Rhétorique ancienne --- Rome dans la littérature --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Latin narrative poetry --- Latin poetry --- Rhetoric --- Horace --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Narrative poetry, Latin - History and criticism. --- Laudatory poetry, Latin - History and criticism. --- Verse satire, Latin - History and criticism. --- Narration (Rhetoric) - History - To 1500. --- Odes, Latin - History and criticism.
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Latin poetry --- Performance art --- History and criticism. --- Rome --- History --- Arts, Modern --- Happenings (Art) --- Performing arts --- History and criticism --- Poésie latine --- Histoire et critique --- 30 av. J.-C.-14 (Auguste) --- Poésie latine
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Can civil war ever be overcome? Can a better order come into being? This book explores how the Roman civil wars of the first century BCE laid the template for addressing perennially urgent questions. The Roman Republic's collapse and Augustus' new Empire have remained ideological battlegrounds to this day. Integrative and disintegrative readings begun in antiquity (Vergil and Lucan) have left their mark on answers given by Christians (Augustine), secular republicans (Victor Hugo), and disillusioned satirists (Michel Houellebecq) alike. France's self-understanding as a new Rome - republican during the Revolution, imperial under successive Napoleons - makes it a special case in the Roman tradition. The same story returns repeatedly. A golden age of restoration glimmers on the horizon, but comes in the guise of a decadent, oriental empire that reintroduces and exposes everything already wrong under the defunct republic. Central to the price of social order is patriarchy's need to subjugate women.
Civil war --- Social structure --- War and society --- Rome --- History --- Social conditions --- Society and war --- War --- Sociology --- Civilians in war --- Sociology, Military --- Organization, Social --- Social organization --- Anthropology --- Social institutions --- Civil wars --- Intra-state war --- Rebellions --- Government, Resistance to --- International law --- Revolutions --- Social aspects
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This book pursues a strand in the history of thought - ranging from codified statutes to looser social expectations - that uses particulars, more specifically examples, to produce norms. Much intellectual history takes ancient Greece as a point of departure. But the practice of exemplarity is historically rooted firmly in ancient Roman rhetoric, oratory, literature, and law - genres that also secured its transmission. Their pragmatic approach results in a conceptualization of politics, social organization, philosophy, and law that is derived from the concrete. It is commonly supposed that, wit.
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The political allegiances of major Roman poets have been notoriously difficult to pin down, in part because they often shift the onus of political interpretation from themselves to their readers. By the same token, it is often difficult to assess their authorial powerplays in the etymologies, puns, anagrams, telestichs, and acronyms that feature prominently in their poetry. It is the premise of this volume that the contexts of composition, performance, and reception play a critical role in constructing poetic voices as either politically favorable or dissenting, and however much the individual scholars in this volume disagree among themselves, their readings try to do justice collectively to poetry’s power to shape political realities. The book is aimed not only at scholars of Roman poetry, politics, and philosophy, but also at those working in later literary and political traditions influenced by Rome's greatest poets.
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Recent years have witnessed an increased interest in classical studies in the ways meaning is generated through the medium of intertextuality, namely how different texts of the same or different authors communicate and interact with each other. Attention (although on a lesser scale) has also been paid to the manner in which meaning is produced through interaction between various parts of the same text or body of texts within the overall production of a single author, namely intratextuality. Taking off from the seminal volume on Intratextuality: 'Greek and Roman Textual Relations', edited by A. Sharrock / H. Morales (Oxford 2000), which largely sets the theoretical framework for such internal associations within classical texts, this collective volume brings together twenty-seven contributions, written by an international team of experts, exploring the evolution of intratextuality from Late Republic to Late Antiquity across a wide range of authors, genres and historical periods. Of particular interest are also the combined instances of intra- and intertextual poetics as well as the way in which intratextuality in Latin literature draws on reading practices and critical methods already theorized and operative in Greek antiquity.
Intertextuality. --- Latin literature --- Latin literature. --- Criticism, Textual. --- Intertextuality --- Criticism --- Semiotics --- Influence (Literary, artistic, etc.) --- Criticism, Textual
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