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Sculpture --- sculpture [visual works] --- concrete --- 3-D printers --- Kapoor, Anish
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restauratie. --- facsimile. --- digitalisering. --- Caravaggio. --- Canova, Antonio. --- Creswell, Archie. --- Rafaël. --- Malevich, Kasimir. --- Luini, Bernardino. --- Velázquez, Diego Rodriguez de Silva y. --- Aspertini, Amico. --- Dell'Arca, Niccolò. --- El Greco.
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Hailed as the earliest precursor to photography, nature printing is the practice of using impressions from the surface of natural objects such as leaves, flowering plants, ferns, seaweed, snakes, and more to produce an image. Author Matthew Zucker has spent decades curating the most extensive collection of nature prints ever assembled, with more than 13,000 images across 120 rare and seminal works, including journals, published books, unique manuscripts, American currency, and instructional texts related to nature printing from 1733 to 1902. This gorgeous volume explores Zucker's collection, allowing readers to see these nature prints presented side by side for the first time. Enabling unique comparisons, this book creates a visually stunning journey of printing method developments over a 150-year period, including photography and cyanotypes. The ultimate guide to nature printing, *Capturing Nature* is a beautiful reference work for scholars, artists, designers, botanists, and anyone interested in nature, botanical illustration, and printing.
Photography --- nature prints --- botany --- cyanotypes [photographic prints] --- nature photography --- printing techniques
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Remnants are a challenge for the museum as an institution. They are ambiguous figures, and their attributions open up and thus contribute to transcending the taxonomic, disciplinary, architectural, and institutional boundaries of museums. They can be found everywhere—in exhibition spaces as well as storage depots, and in laboratories just as in the administration. In each of these contexts, there are respectively different forms of professional self-conception, knowledge, and practical handling that determine the status of remnants. The volume contributes to specifying terms such as remnant, trash, traces, and boundaries more precisely within the context of the museum and to reassessing them for debates in conservation, curating, art history, and museum anthropology. Reste fordern die Institution des Museums heraus. Es sind Kippfiguren, die Zuschreibungen öffnen und damit an Überschreitungen der taxonomischen, disziplinären, architektonischen und institutionellen Grenzen des Museums mitarbeiten. Sie sind überall anzutreffen – im Ausstellungsraum genauso wie im Depot, im Labor genauso wie in der Verwaltung. In jedem dieser Kontexte stehen jeweils andere Formen des professionellen Selbstverständnisses, des Wissens und des praktischen Umgangs zur Verfügung, die den Status von Resten determinieren. Der Band trägt dazu bei, Begriffe wie Rest, Abfall, Spuren, Ränder im Kontext des Museums zu präzisieren und für Debatten in Konservierung, Kuration, Kunstgeschichte und Museumsanthropologie neu zu bewerten.
ART / Conservation & Preservation. --- Remnant. --- conservation. --- curation. --- image studies. --- matter. --- museum. --- objects.
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