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The story of radio begins alongside that of the Soviet state: Russia's first long-range transmission of the human voice occurred in 1919, during the civil war. Sound broadcasting was a medium of exceptional promise for this revolutionary regime. It could bring the Bolsheviks' message to the furthest corners of their enormous country. It had unprecedented impact: the voice of Moscow could now be wired into the very workplaces and living spaces of a population that was still only weakly literate. The liveness and immediacy of broadcasting also created vivid new ways of communicating 'Sovietness' - whether through May Day parades and elections, the exploits of aviators and explorers, or show trials and public criticism. Yet, in the USSR as elsewhere, broadcasting was a medium in flux: technology, the broadcasting profession, and the listening audience were never static. Soviet radio was quickly earmarked as the mouthpiece of Soviet power, yet its history is also full of unintended consequences. The supreme irony of Soviet 'radiofication' was that its greatest triumph - the expansion of the wireless-listening public in the Cold War era - made possible its greatest failure, by turning a part of the Soviet audience into devotees of Western broadcasting. Based on substantial original research in Moscow, St Petersburg, and Nizhnii Novgorod, Russia in the Microphone Age is the first full history of Soviet radio in English. In addition to the institutional and technological dimensions of the subject, it explores the development of programme content and broadcasting genres. It also goes in search of the mysterious figure of the Soviet listener. The result is a pioneering treatment of broadcasting as an integral part of Soviet culture from its early days in the 1920s until the dawn of the television age.

Radio broadcasting --- History

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The dacha is a sometimes beloved, sometimes scorned Russian dwelling. Alexander Pushkin summered in one; Joseph Stalin lived in one for the last twenty years of his life; and contemporary Russian families still escape the city to spend time in them. Stephen Lovell's generously illustrated book is the first social and cultural history of the dacha. Lovell traces the dwelling's origins as a villa for the court elite in the early eighteenth century through its nineteenth-century role as the emblem of a middle-class lifestyle, its place under communist rule, and its post-Soviet incarnation.A fascinating work rich in detail, Summerfolk explores the ways in which Russia's turbulent past has shaped the function of the dacha and attitudes toward it. The book also demonstrates the crucial role that the dacha has played in the development of Russia's two most important cities, Moscow and St. Petersburg, by providing residents with a refuge from the squalid and crowded metropolis. Like the suburbs in other nations, the dacha form of settlement served to alleviate social anxieties about urban growth. Lovell shows that the dacha is defined less by its physical location"usually one or two hours" distance from a large city yet apart from the rural hinterland-than by the routines, values, and ideologies of its inhabitants.Drawing on sources as diverse as architectural pattern books, memoirs, paintings, fiction, and newspapers, he examines how dachniki ("summerfolk") have freed themselves from the workplace, cultivated domestic space, and created informal yet intense intellectual communities. He also reflects on the disdain that many Russians have felt toward the dacha, and their association of its lifestyle with physical idleness, private property, and unproductive use of the land. Russian attitudes toward the dacha are, Lovell asserts, constantly evolving. The word "dacha" has evoked both delight in and hostility to leisure. It has implied both the rejection of agricultural labor and, more recently, a return to the soil. In Summerfolk, the dacha is a unique vantage point from which to observe the Russian social landscape and Russian life in the private sphere.

Country homes --- Maisons de campagne --- History --- Histoire --- Russia --- Soviet Union --- Russia (Federation) --- Russie --- URSS --- Social life and customs --- Moeurs et coutumes --- Social life and customs. --- Architecture, Rural --- Rural architecture --- Dwellings --- Park gate lodges

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This book is a short history of Russia since the collapse of Communism in Eastern Europe. In a matter of months, Russia was apparently demoted from "evil empire" to despondent poor relation of the prosperous West. Yet the country also seemed extraordinarily -- and alarmingly -- open to all manner of political outcomes: from the return of Communism to the creation and consolidation of liberal democracy. Many of the scripts written for Russia in 1991 have had to be drastically revised in subsequent years. This book is a historian's attempt to stand back from the turbulent post-Soviet era and inquire into the nature of the "Second Russian Revolution."

Social change --- Russia (Federation) --- Politics and government --- Social conditions --- #SBIB:328H262 --- Instellingen en beleid: Rusland en het GOS

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882 "19" --- Russian literature --- Modernism (Literature) --- -Modernism (Literature) --- -Arts in literature --- Crepuscolarismo --- Literary movements --- Postmodernism (Literature) --- Russische literatuur--20e eeuw. Periode 1900-1999 --- History and criticism. --- Arts in literature. --- 882 "19" Russische literatuur--20e eeuw. Periode 1900-1999 --- Arts in literature --- History and criticism