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1 MARX, KARL --- 1 NIETZSCHE, FRIEDRICH --- Civilization, Modern --- -#SBIB:321H60 --- #SBIB:321H30 --- Modern civilization --- Modernity --- Civilization --- Renaissance --- Filosofie. Psychologie--MARX, KARL --- Filosofie. Psychologie--NIETZSCHE, FRIEDRICH --- Westerse politieke en sociale theorieën vanaf de 19e eeuw: socialisme, marxisme, communisme, anarchisme --- Hedendaagse politieke en sociale theorieën (vanaf de 19de eeuw): algemeen (incl. utilitarisme, burgerschap) --- History --- Marx, Karl. --- Nietzsche, Friedrich Wilhelm --- 1 NIETZSCHE, FRIEDRICH Filosofie. Psychologie--NIETZSCHE, FRIEDRICH --- 1 MARX, KARL Filosofie. Psychologie--MARX, KARL --- Marx, Karl --- #SBIB:321H60 --- Nineteenth century --- Marx, Karl, --- Nietzsche, Friedrich Wilhelm, --- Nietzsche, Friedrich --- Nietzsche, Friederich --- Civilization [Modern ] --- 19th century --- Makesi, --- Ma-kʻo-ssu, --- 马克思, --- 馬克思, --- Marukusu, --- マルクス, --- Marx, Heinrich Karl, --- Marks, Karl, --- Marx, Carlos, --- Marks, K. --- Marŭkʻŭsŭ, Kʻal, --- 마르크스, 칼, --- Marksŭ, --- 맑스, --- Marks, Karol, --- Mác, Các, --- Marx, Karel, --- Marksas, Karolis, --- Marx, Carlo, --- Mác, C., --- מארכס, --- מארכס, קארל, --- מארכס, קרל, --- מארכס, ק --- מארקס --- מארקס, קארל --- מארקס, קארל, --- מארקס, קרל, --- מארקס, ק. --- מרכס, קרל --- מרכס, קרל, --- ماركس، كارل --- ماركس، كارل، --- Markso, Karlo,

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Popular music plays a major role in mobilizing citizens, especially youth, to fight for political causes. Yet the presence of music in politics receives relatively little attention from scholars, politicians, and citizens. White power music is no exception, despite its role in recent high-profile hate crimes. Trendy Fascism is the first book to explore how contemporary white supremacists use popular music to teach hate and promote violence. Nancy S. Love focuses on how white power music supports "trendy fascism," a neo-fascist aesthetic politics. Unlike classical fascism, trendy fascism involves a hyper-modern cultural politics that exploits social media to create a global white supremacist community. Three case studies examine different facets of the white power music scene: racist skinhead, neo-Nazi folk, and goth/metal. Together these cases illustrate how music has replaced traditional forms of public discourse to become the primary medium for conveying white supremacist ideology today. Written from the interdisciplinary perspective on culture, economics, and politics best described as critical theory, this book is crucial reading for everyone concerned about the future of democracy. -- Provided by publisher.

White supremacy movements --- Popular music --- Neo-Nazism. --- Hate groups. --- Social groups --- Neo-Nazi groups --- Neo-Nazi movements --- Neo-Nazi parties --- Fascism --- National socialism --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Supremacist movements, White --- Supremacy movements, White --- White supremacist movements --- Social movements --- White nationalism --- Skinheads --- Songs and music --- History and criticism. --- Political aspects. --- Social aspects.

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Political philosophy. Social philosophy --- Politics

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Ideology --- Political science --- Right and left (Political science)

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Mathematics teachers --- Science teachers --- In-service training --- Congresses