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Social stratification --- Sociology of culture --- anno 1800-1899 --- United States --- Minstrel shows --- History and criticism --- Working class --- Race relations --- History --- Civil War, 1861-1865 --- United States of America
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For over two centuries, America has celebrated the same African-American culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show appropriated black dialect, music, and dance; at once applauded and lampooned black culture; and, ironically, contributed to a ""blackening of America."" Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of t
Minstrel shows --- Working class --- African American minstrel shows --- Blackfaced minstrel shows --- Negro minstrel shows --- African Americans in the performing arts --- Revues --- Vaudeville --- Blackface entertainers --- History. --- United States --- Southern States --- Confederate States of America --- Race relations. --- History --- Race question --- Lost Cause mythology --- Racism against Black people --- Blackface --- Impersonation --- Anti-Black racism --- Antiblack racism --- Racism against Blacks --- Black people --- American minstrelsy --- Minstrelsy --- Minstrelsy, American
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Black Mirror explores the ways U.S. cultural institutions--classic American literature, Hollywood film, pop musical artistry, venturesome social commentary--have relied insistently and repeatedly on racial symbolic capital, including and above all blackface, to reproduce white cultural dominance. In the process these forms have threatened to betray the racial hegemony that generated them and that they exist in order to maintain. Hence the subtitle, The Cultural Contradictions of American Racism. In a series of chapters addressing such arts and artists as Mark Twain, film noir, Joni Mitchell, Elvis impersonators, Bob Dylan, and Barack Obama, Black Mirror locates the symbolic surplus value that accrues to white cultural producers and institutions whenever they traffic in "blackness"--a political economy of the sign that can sometimes surprise us (not least by producing a black president).--
Racism in mass media. --- Racism in popular culture --- White people --- Attitudes. --- United States --- Race relations.
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Sankaracarya --- Vedanta --- Hinduism --- Theosophy --- Madhva, --- Rāmānuja, --- Śaṅkarācārya. --- Cankara --- Śankarāchārya --- Śankarācārya --- Rāmānujāchārya, --- Irāmān̲ujar, --- Etirājar, --- Emperumān̲ār, --- Tiruppāvai Jīyar, --- Uṭaiyavar, --- Rāmānujulu, --- Rāmānujācārya, --- Ānandagiri (called Madhva), --- Ānandajn̄ānagiri, --- Ānandatīrtha, --- Anantānandagiri, --- Jn̄ānānandagiri, --- Madhvācārya, --- Madhvāchārya, --- Madhwacharya, --- Madhyamandāra, --- Madwacharya, --- Pūrṇaprajña, --- Vāsudevācārya, --- Ānandatīrthabhagavatpadācārya, --- Ānandatīrthamuni, --- Śankara. --- Madwācārya, --- Ānandatīrtha Bhagavatpādācārya,
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Religion --- Theology --- Study and teaching. --- Methodology. --- 291 --- Godsdienstwetenschap: vergelijkend --- Propaedeutics of theology --- Study and teaching --- Methodology --- Propaedeutics --- Religion - Study and teaching. --- Theology - Methodology.
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