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The collection of essays by eleven TS researchers focuses on translation in the first half of the 20th century, a period of political and social turmoil in Europe. The collection concentrates mainly, though not exclusively, on the Iberian Peninsula, addressing relevant questions, such as censorship and dictatorial regimes, power, war, the role of women in society. It seeks to shed new light on the concepts, debates and practices of the time, as well as to showcase both translatedness in its many guises (translation, adaptation, pseudotranslation) and its conspicuous absences. The contributors discuss, in different ways and using various methodologies, the omnipresence of translation in "the age of the extremes".

Translating and interpreting. --- Translating and interpreting --- Study and teaching (Higher) --- History. --- Iberian Peninsula. --- Languages --- Translating --- Iberian Peninsula

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Mediations of Disruption in Post-Conflict Cinema is a transdisciplinary volume that addresses the cinematic mediation of a wide range of conflicts. From World War II and its aftermath to the exploration of colonial and post-colonial experiences and more recent forms of terrorism, it debates the possibilities, constraints and efficacy of the discursive practices this mediation entails. Despite its variety and amplitude in scope and width, the innovative and singular aspect of the book lies in the fact that the essays give voice to a variety of regions, issues, and filmmaking processes that tend either to remain on the outskirts of the publishing world and/or to be granted only partial visibility in volumes of regional cinema.

Motion pictures --- Social aspects. --- Political aspects. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- History and criticism --- Audio-visual materials --- Mass media --- Performing arts --- Motion pictures and television. --- Communication. --- Screen Studies. --- Media Studies. --- Communication, Primitive --- Mass communication --- Sociology --- Moving-pictures and television --- Television and motion pictures --- Television

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Mediations of Disruption in Post-Conflict Cinema is a transdisciplinary volume that addresses the cinematic mediation of a wide range of conflicts. From World War II and its aftermath to the exploration of colonial and post-colonial experiences and more recent forms of terrorism, it debates the possibilities, constraints and efficacy of the discursive practices this mediation entails. Despite its variety and amplitude in scope and width, the innovative and singular aspect of the book lies in the fact that the essays give voice to a variety of regions, issues, and filmmaking processes that tend either to remain on the outskirts of the publishing world and/or to be granted only partial visibility in volumes of regional cinema.

Sociology of culture --- Didactics of the arts --- Mass communications --- Film --- Television play --- TV (televisie) --- communicatie --- cultuur

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