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"The Romantic period saw the first generations of professional women writers flourish in Great Britain. Literary history is only now giving them the attention they deserve, for the quality of their writings and for their popularity in their own time. This collection of new essays by leading scholars explores the challenges and achievements of this fascinating set of women writers, including Jane Austen, Mary Wollstonecraft, Ann Radcliffe, Hannah More, Maria Edgeworth, and Mary Shelley alongside many lesser-known female authors writing and publishing during this period. Chapters consider major literary genres, including poetry, fiction, drama, travel writing, histories, essays, and political writing, as well as topics such as globalization, colonialism, feminism, economics, families, sexualities, aging, and war. The volume shows how gender intersected with other aspects of identity and with cultural concerns that then shaped the work of authors, critics, and readers"--
Kobieta --- A literatura --- 1801-1900. --- English literature --- Women and literature --- Women authors&delete& --- History and criticism --- History --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Women authors --- 82:396 --- 82.015.55 --- 82.015.55 Literaire stromingen: romantiek --- Literaire stromingen: romantiek --- 82:396 Literatuur en feminisme --- Literatuur en feminisme
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"This study explores the later lives and writings of more than two dozen British women authors active during the long eighteenth century." "Drawing on biographical materials, literary texts, and reception histories, Devoney Looser finds that, far from fading into moribund old age, female literary greats toiled for decades after they achieved acclaim - despite seemingly concerted attempts by literary gatekeepers to marginalize their later contributions." "Illuminating the powerful and often poorly recognized legacy of the British women writers who spurred a marketplace revolution in their earlier years only to find unanticipated barriers to acceptance in later life. Looser opens up new scholarly territory in the burgeoning field of women's studies and aging."--BOOK JACKET.
English literature --- Older women --- Women and literature --- Old age --- Women authors --- History and criticism. --- History --- Social aspects --- Edgeworth, Maria, --- Burney, Fanny, --- Barbauld, --- Criticism and interpretation. --- Later life (Human life cycle) --- Senescence --- Adulthood --- Age --- Longevity --- Older people --- Aged women --- Women --- Aikin, Anna Lætitia, --- Author of Lessons for children, --- Barbauld, A. L. --- Barbauld, Anna Letitia, --- Dissenter, --- Lessons for children, Author of, --- Volunteer, --- Arblay, --- D'Arblay, --- Burneĭ, --- Bi︠u︡rneĭ, --- Burney, Frances, --- D'Arblay, Fanny, --- D'Arblay, Frances Burney, --- Arblay, Frances Burney d', --- Author of Evelina, --- Evelina, Author of, --- Author of Evelina and Cecilia, --- Evelina and Cecilia, Author of, --- Author of Camilla, --- Camilla, Author of, --- Wood, --- Burney, Frances Anne, --- Edgeworth, --- Author of Practical education, --- Practical education, Author of, --- Author of Letters for literary ladies, --- Letters for literary ladies, Author of, --- Edgeworth, Eliza,
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Until recently, history writing has been understood as a male enclave from which women were restricted, particularly prior to the nineteenth century. The first book to look at British women writers and their contributions to historiography during the long eighteenth century, British Women Writers and the Writing of History, 1670-1820, asks why, rather than writing history that included their own sex, some women of this period chose to write the same kind of history as men—one that marginalized or excluded women altogether. But as Devoney Looser demonstrates, although British women's historically informed writings were not necessarily feminist or even female-focused, they were intimately involved in debates over and conversations about the genre of history.Looser investigates the careers of Lucy Hutchinson, Lady Mary Wortley Montagu, Charlotte Lennox, Catharine Macaulay, Hester Lynch Piozzi, and Jane Austen and shows how each of their contributions to historical discourse differed greatly as a result of political, historical, religious, class, and generic affiliations. Adding their contributions to accounts of early modern writing refutes the assumption that historiography was an exclusive men's club and that fiction was the only prose genre open to women.
Historiography --- English prose literature --- Women historians --- Historians --- Women scholars --- History --- Women authors --- History and criticism. --- Great Britain --- Historiography. --- English literature --- Women authors&delete& --- History and criticism --- E-books --- Women and literature --- Thematology --- History as a science --- Lennox, Charlotte --- Hutchinson, Lucy --- Piozzi, Hester Lynch --- Macaulay, Catharine --- Montagu, Mary Wortley --- Austen, Jane --- anno 1600-1699 --- anno 1700-1799 --- anno 1800-1899 --- Writers --- Book
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An engaging account of how Jane Austen became a household name. Just how did Jane Austen become the celebrity author and the inspiration for generations of loyal fans she is today? Devoney Looser's The Making of Jane Austenturns to the people, performances, activism, and images that fostered Austen's early fame, laying the groundwork for the beloved author we think we know. Here are the Austen influencers, including her first English illustrator, the eccentric Ferdinand Pickering, whose sensational gothic images may be better understood through his brushes with bullying, bigamy, and an attempted matricide. The daring director-actress Rosina Filippi shaped Austen's reputation with her pioneering dramatizations, leading thousands of young women to ventriloquize Elizabeth Bennet's audacious lines before drawing room audiences. Even the supposedly staid history of Austen scholarship has its bizarre stories. The author of the first Jane Austen dissertation, student George Pellew, tragically died young, but he was believed by many, including his professor-mentor, to have come back from the dead. Looser shows how these figures and their Austen-inspired work transformed Austen's reputation, just as she profoundly shaped theirs. Through them, Looser describes the factors and influences that radically altered Austen's evolving image. Drawing from unexplored material, Looser examines how echoes of that work reverberate in our explanations of Austen's literary and cultural power. Whether you're a devoted Janeite or simply Jane-curious, The Making of Jane Austenwill have you thinking about how a literary icon is made, transformed, and handed down from generation to generation.--
SOCIAL SCIENCE / Popular Culture. --- LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. --- English literature --- Austen, Jane, --- Social aspects. --- Appreciation --- History. --- Criticism and interpretation --- Adaptations --- History and criticism. --- Influence. --- Literary criticism --- Social science --- Art appreciation. --- Influence (literary, artistic, etc.). --- Literature --- Rezeption. --- European --- English, irish, scottish, welsh. --- Popular culture. --- Adaptations.
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This groundbreaking study explores the later lives and late-life writings of more than two dozen British women authors active during the long eighteenth century.Drawing on biographical materials, literary texts, and reception histories, Devoney Looser finds that far from fading into moribund old age, female literary greats such as Anna Letitia Barbauld, Frances Burney, Maria Edgeworth, Catharine Macaulay, Hester Lynch Piozzi, and Jane Porter toiled for decades after they achieved acclaim—despite seemingly concerted attempts by literary gatekeepers to marginalize their later contributions.Though these remarkable women wrote and published well into old age, Looser sees in their late careers the necessity of choosing among several different paths. These included receding into the background as authors of “classics,” adapting to grandmotherly standards of behavior, attempting to reshape masculinized conceptions of aged wisdom, or trying to create entirely new categories for older women writers. In assessing how these writers affected and were affected by the culture in which they lived, and in examining their varied reactions to the prospect of aging, Looser constructs careful portraits of each of her subjects and explains why many turned toward retrospection in their later works.In illuminating the powerful and often poorly recognized legacy of the British women writers who spurred a marketplace revolution in their earlier years only to find unanticipated barriers to acceptance in later life, Looser opens up new scholarly territory in the burgeoning field of feminist age studies.
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The Romantic period saw the first generations of professional women writers flourish in Great Britain. Literary history is only now giving them the attention they deserve, for the quality of their writings and for their popularity in their own time. This collection of new essays by leading scholars explores the challenges and achievements of this fascinating set of women writers, including Jane Austen, Mary Wollstonecraft, Ann Radcliffe, Hannah More, Maria Edgeworth, and Mary Shelley alongside many lesser-known female authors writing and publishing during this period. Chapters consider major literary genres, including poetry, fiction, drama, travel writing, histories, essays, and political writing, as well as topics such as globalization, colonialism, feminism, economics, families, sexualities, aging, and war. The volume shows how gender intersected with other aspects of identity and with cultural concerns that then shaped the work of authors, critics, and readers.
English literature --- Women and literature --- Women authors --- History and criticism. --- History
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Age group sociology --- Thematology --- Sociology of literature --- Age --- Seniors --- Literary criticism --- Writers --- Book --- Piozzi, Hester Lynch --- Porter, Jane --- Macaulay, Catharine --- Austen, Jane --- Barbauld, Anna Laetitia Aikin --- Burney, Fanny --- Edgeworth, Maria --- anno 1700-1799 --- anno 1800-1899 --- Great Britain
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"A fascinating, insightful biography of the most famous sister novelists before the Brontës. Before Charlotte and Emily Brontë picked up their pens, or Jane Austen's heroines Elizabeth and Jane Bennet became household names, the literary world was celebrating a different pair of sisters: Jane and Anna Maria Porter. The Porters-exact contemporaries of Jane Austen-were brilliant, attractive, self-made single women of polite reputation who between them published 26 books and achieved global fame. They socialized among the rich and famous, tried to hide their family's considerable debt, and fell dramatically in and out of love. Their moving letters to each other confess every detail. Because the sisters expected their renown to last past their lifetimes, they saved their correspondence and manuscripts for the sake of biographers to come. But history has not been kind to the Porters. Now, Dr. Devoney Looser, a Guggenheim fellow in women's writing, sets out to re-introduce the world to the authors who cleared the way for Austen, Mary Shelley, and the Brontë sisters. Capturing the Porter sisters' incredible rise, from when Anna Maria published her first book at age 15 in 1793, through to their fall from the literary limelight in the Victorian era, and then to the auctioning off for a pittance of the family's massive archive, Sister Novelists is an enthralling biography of two pioneering geniuses in historical fiction"--
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