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This acknowledgement of their dramatic origins has often led to criticism that these movies remain too rigidly anchored to the stage; too "stage-bound." Stage-Bound, the first extensive study of feature film adaptations of English Canadian and Québécois drama, challenges this reductive interpretation. André Loiselle demonstrates that theatricality is central to the meaning of these works. In the process, he reclaims these stage-bound films, which have generally been ignored by scholars.
Canadian drama --- Motion pictures --- Canadian drama (English) --- Canadian literature --- History. --- History and criticism. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
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The release of Denys Arcand's Le Déclin de l'empire américain (The Decline of the American Empire) in 1986 marked a major turning point in Quebec cinema. It was the first Québécois film that enjoyed huge critical and commercial success at home and abroad. Arcand's tragicomedy about eight intellectuals gathered around a dinner table relating sexy anecdotes became the top-grossing film of all time in Quebec and was the first Canadian feature to be nominated for an Oscar in the foreign-language category. Seventeen years later, Arcand won an Academy Award for the sequel, Les Invasions barbares (The Barbarian Invasions), where the amusing insouciance of the thirty-somethings talking dirty in Le Déclin is replaced by a sense of moral responsibility and serene resignation. In this engrossing study, André Loiselle presents the first in-depth analysis of both films within the context of Quebec culture. Through close readings and concise cultural analysis of two of the most important films in the history of Quebec cinema, Loiselle demonstrates the ways in which Arcand's work represents a snapshot of the evolution of the French Canadian film industry since 1980. The companion films trace the decline of Quebec's national dream and the Québécois' attempts to cling to their identity against the forces of barbaric globalization. The second title in the new Canadian Cinema series, Denys Arcand's "Le Déclin de l'empire américain" and "Les Invasions barbares" is essential reading for cinephiles, film critics, and anyone with an interest in cultural studies and Canadian and Quebec history.
Coursebook. --- PERFORMING ARTS / Film & Video / History & Criticism. --- Arcand, Denys, --- Criticism and interpretation. --- Déclin de l'empire américain (Motion picture) --- Invasions barbares (Motion picture) --- Barbarian invasions (Motion picture) --- Decline of the American empire (Motion picture) --- Arcand, Denys --- Declin de l'empire americain (Motion picture)
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The horror film generally presents a situation where normality is threatened by a monster. From this premise, Theatricality in the Horror Film argues that scary movies often create their terrifying effects stylistically and structurally through a radical break with the realism of normality in the form of monstrous theatricality. Theatricality in the horror fi lm expresses itself in many ways. For example, it comes across in the physical performance of monstrosity: the overthe-top performance of a chainsaw-wielding serial killer whose nefarious gestures terrify both his victims within the film and the audience in the cinema. Theatrical artifice can also appear as a stagy cemetery with broken-down tombstones and twisted, gnarly trees, or through the use of violently aberrant filmic techniques, or in the oppressive claustrophobia of a single-room setting reminiscent of classical drama. Any performative element of a film that flaunts its difference from what is deemed realistic or normal on screen might qualify as an instance of theatrical artifice, creating an intense affect in the audience. This book argues that the artificiality of the frightening spectacle is at the heart of the dark pleasures of horror.
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"A groundbreaking collection of original essays, Stages of Reality establishes a new paradigm for understanding the relationship between stage and screen media. This comprehensive volume explores the significance of theatricality within critical discourse about cinema and television. Stages of Reality connects the theory and practice of cinematic theatricality through conceptual analyses and close readings of films including The Matrix and There Will be Blood. Contributors illuminate how this mode of address disrupts expectations surrounding cinematic form and content, evaluating strategies such as ostentatious performances, formal stagings, fragmentary montages, and methods of dialogue delivery and movement. Detailing connections between cinematic artifice and topics such as politics, gender, and genre, Stages of Reality allows readers to develop a clear sense of the multiple purposes and uses of theatricality in film."--Pub. desc.
Motion pictures and theater. --- Motion pictures --- Moving-pictures and theater --- Theater and motion pictures --- Theater --- History. --- History and criticism --- Cinéma et théâtre. --- Cinéma --- Drama. --- Film. --- Motion pictures. --- Theater. --- Theatralik. --- Theatralität. --- Verfilmung. --- Histoire. --- Cinéma et théâtre --- Théâtre --- Adaptations cinématographiques
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Featuring chapters on Pontypool, Ginger Snaps, 1970s slasher films, Quebec horror, and the work of David Cronenberg, among many others, The Canadian Horror Film unearths the terrors hidden in the recesses of the Canadian psyche.
Horror films --- Films d'horreur --- Spookfests (Motion pictures) --- Motion pictures --- Haunted house films --- Monster films --- History and criticism. --- Histoire et critique. --- Canada. --- Canada (Province) --- Canadae --- Ceanada --- Chanada --- Chanadey --- Dominio del Canad --- Dominion of Canada --- Jianada --- Kʻaenada --- Kanada --- Ḳanadah --- Kanadaja --- Kanadas --- Ḳanade --- Kanado --- Kanak --- Province of Canada --- Republica de Canad --- Yn Chanadey --- Dominio del Canadá --- Kaineḍā --- Kanakā --- Republica de Canadá
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Canadian literature --- Multiculturalism --- Littérature canadienne --- Multiculturalisme --- Canada --- Social conditions --- Civilization --- Conditions sociales --- Civilisation --- Littérature canadienne --- Scandals
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