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"Today on Oprah," intoned the TV announcer, and all over America viewers tuned in to learn, empathize, and celebrate. In this book, Kathryn Lofton investigates the Oprah phenomenon and finds in Winfrey's empire-Harpo Productions, O Magazine, and her new television network-an uncanny reflection of religion in modern society. Lofton shows that when Oprah liked, needed, or believed something, she offered her audience nothing less than spiritual revolution, reinforced by practices that fuse consumer behavior, celebrity ambition, and religious idiom. In short, Oprah Winfrey is a media messiah for a secular age. Lofton's unique approach also situates the Oprah enterprise culturally, illuminating how Winfrey reflects and continues historical patterns of American religions.

Celebrities. --- Religion and culture --- Popular culture --- Celebrities --- Religious aspects --- ambition. --- american history. --- american religion. --- american religiosity. --- capitalism. --- celebrity studies. --- celebrity worship. --- celebrity. --- christianity. --- consumer behavior. --- empathy. --- evangelicalism. --- folk religion. --- gender studies and sexuality. --- harpo productions. --- media studies. --- messiah. --- modern religion. --- nonfiction. --- o magazine. --- oprah winfrey. --- oprah. --- philosophy. --- popular culture. --- popular religion. --- psychology. --- religion. --- religious idiom. --- religious studies. --- secular age. --- social history. --- sociology. --- spiritual center. --- spirituality. --- television.

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Whether in schoolrooms or kitchens, state houses or church pulpits, women have always been historians. Although few participated in the academic study of history until the mid-twentieth century, women labored as teachers of history and historical interpreters. Within African-American communities, women began to write histories in the years after the American Revolution. Distributed through churches, seminaries, public schools, and auxiliary societies, their stories of the past translated ancient Africa, religion, slavery, and ongoing American social reform as historical subjects to popular audiences North and South. This book surveys the creative ways in which African-American women harnessed the power of print to share their historical revisions with a broader public. Their speeches, textbooks, poems, and polemics did more than just recount the past. They also protested their present status in the United States through their reclamation of that past. Bringing together work by more familiar writers in black America-such as Maria Stewart, Francis E. W. Harper, and Anna Julia Cooper-as well as lesser-known mothers and teachers who educated their families and their communities, this documentary collection gathers a variety of primary texts from the antebellum era to the Harlem Renaissance, some of which have never been anthologized. Together with a substantial introduction to black women's historical writings, this volume presents a unique perspective on the past and imagined future of the race in the United States.

African Americans --- African American women --- African American historians. --- Women historians --- African American women authors. --- History --- Historiography. --- Intellectual life