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Kunst 20ste eeuw Russisch Constructivisme --- 7.037.6(47) --- Kunstgeschiedenis 1900 - 1950 constructivisme Rusland --- Art [Soviet ] --- Art soviétique --- Kunst [Sovjet] --- Constructivism (Art) --- Soviet Union --- Art [Modern ] --- 20th century --- Constructivism (Art) - Soviet Union. --- Kunst ; 20ste eeuw ; Russisch Constructivisme --- 705.8 --- kunst ; 20e eeuw --- constructivisme (kunst) --- Rusland --- Tatlin, Vladimir --- Rodtchenko, Aleksandr Michajlovitsj (1891-1956) --- Gabo, Naum --- Pevsner, Antoine --- Popova, L --- Stepanova, Varvara --- El Lissitsky --- Vhutemas --- productdesign --- architectuur --- schilderkunst ; 20e eeuw --- beeldhouwkunst --- abstracte schilderkunst --- abstracte kunst --- avant-garde --- modernisme --- fotografie --- fotomontage --- Kunstgeschiedenis ; 1900 - 1950 ; constructivisme ; Rusland --- kunstgeschiedenis, 20e eeuw

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Celebrating Suprematism throws vital new light on Kazimir Malevich's abstract style and the philosophical, scientific, aesthetic, and ideological context within which it emerged and developed. The essays in the collection, which have been produced by established specialists as well as new scholars in the field, tackle a wide range of issues and establish a profound and nuanced appreciation of Suprematism's place in twentieth-century visual and intellectual culture. Complementing detailed analyses of The Black Square (1915), Malevich's theories and statements, various developments at Unovis, Suprematism's relationship to ether physics, and the impact that Malevich's style had on the design of textiles, porcelain and architecture, there are also discussions of Suprematism's relationship to Russian Constructivism and avant-garde groups in Poland and Hungary.

Suprematism in art --- Malevich, Kazimir Severinovich, --- Criticism and interpretation. --- UNOVIS (Group)

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Naum Gabo (1890–1977), whose eventful life took him from his native Russia to Berlin, Paris, London, and finally the United States, achieved renown as one of the most inventive and controversial figures in twentieth-century sculpture. This book is the first comprehensive account of Gabo’s life, career, and artistic theory and practice. Martin Hammer and Christina Lodder explore in detail the evolution of the artist’s work and his aesthetic concerns, creative processes, assimilation of such new materials as plastic, and approach to public sculpture. The authors also examine his response to the scientific and political revolutions of his age and trace the origins and development of Gabo’s utopian conviction that Constructivist art was profoundly in tune with modernity, social progress, and advances in science and technology. Drawing on Gabo’s extensive and largely unpublished archives of letters, diaries, notebooks, models, and sketchbooks, Hammer and Lodder discuss the sculptor’s work in the context of his relations with other avant-garde artists, architects, and critics, including his brother Antoine Pevsner. They also situate his aesthetic theory and practice within the Constructivist movement and the wider tradition of twentieth-century art, and they examine Gabo’s accomplishments in each of the diverse milieus in which he worked. Martin Hammer is senior lecturer in the Department of Fine Art at the University of Edinburgh. Christina Lodder is professor, School of Art History, University of St. Andrews. She is the author of Russian Constructivism, published by Yale University Press.

avant-garde --- constructivisme --- Gabo, Naum --- Kinetic [style] --- fountains --- mobiles --- Constructivist --- plastic [organic material] --- Pevsner, Antoine --- Gabo, Naum, --- sculpting --- Sculpture --- art [fine art] --- outdoor sculpture --- Art styles --- Iconography --- Art --- anno 1930-1939 --- anno 1900-1999 --- anno 2000-2099 --- anno 1920-1929 --- Russia --- United States --- Art contemporain --- Criticism and interpretation --- Sculptors --- Architects --- Artists --- Sculpteurs --- Architectes --- Artistes --- Gabo, Naum, - 1890-1977 - Criticism and interpretation --- avant-garde. --- constructivisme. --- Gabo, Naum. --- art [discipline] --- Kinetic Art --- plastic [material] --- United States of America --- Gabo, Naum, - 1890-1977

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Art styles --- Iconography --- Sculpture --- Painting --- Graphic arts --- painting [image-making] --- abstraction --- Abstract [modern European style] --- sculpting --- graphic arts --- Buchholz, Erich --- Molzahn, Johannes --- Tatlin, Vladimir --- Lissitzky, El --- Albers, Josef --- Kupka, Frantz --- Bill, Max --- Gontscharova, Natalia --- Kleint, Boris Herbert --- Kljun, Ivan Vassiljevitsj --- Itten, Johannes --- Udaltsova, Nadezhda Andreevna --- Suetin, Nikolai --- Rodtschenko, Alexander Michajlowitsch --- Ebneth, Lajos --- Moholy-Nagy, László --- Majakovskij, Vladimir V. --- Kandinsky, Wassily --- Vantongerloo, Georges --- Exter, Alexandra --- Pevsner, Antoine --- Dexel, Walter --- Freundlich, Otto --- Buchheister, Carl --- Huszár, Vilmos --- Jahns, Rudolf --- Jermilov, Vasili Dmitreevich --- Kassák, Lajos --- Kogan, Nina Osipovna --- Lebedev, Vladimir Vasilevich --- Lentulov, Aristarkh Vasilevich --- Popova, Lyubov Sergeevna --- Puni, Ivan Albertovich --- Tsjasjnik, Il'ja Gregorevitsj --- Malevitsj, Kasimir --- anno 1900-1999 --- anno 2000-2099

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constructivisme --- sociale geschiedenis --- Malevich, Kasimir --- Tatlin, Vladimir Yevgrafovitch --- Rodchenko, Aleksandr Mikhailovich --- Gan, Aleksei --- Popowa, Ljubow --- El Lissitzky --- Kobro, Katarzyna --- Strzeminski, Wladislaw --- 1914 - 1937 --- 20ste eeuw --- Rusland --- Constructivism (Art) --- Soviet Union --- Russia --- 1900-1945 --- Strzeminski, Wladyslaw --- constructivisme. --- sociale geschiedenis. --- Malevich, Kasimir. --- Tatlin, Vladimir Yevgrafovitch. --- Rodchenko, Aleksandr Mikhailovich. --- Gan, Aleksei. --- Popowa, Ljubow. --- El Lissitzky. --- Kobro, Katarzyna. --- Strzeminski, Wladyslaw. --- 1914 - 1937. --- 20ste eeuw. --- Rusland.