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"The Senses: Design Beyond Vision explores different ways that contemporary designers are engaging sensory experience. This important book accompanies a major exhibition organized by Cooper Hewett, Smithsonian Design Museum, opening April 2018. The book features thematic essays on topics ranging from design for the table to tactile graphics, tactile sound, and visualizing the senses. Manifestos and guidelines written by leading thinkers are calls to action for multisensory design practice. This book is meant for students and professionals working in diverse fields, including products, interiors, graphics, interaction, sound, animation, and data visualization.The book is edited by Cooper Hewitt curators Ellen Lupton and Andrea Lipps, with essays by Lupton, Lipps, and other contributors, and designed by David Genco with Ellen Lupton"--
Design --- Senses and sensation --- 770.6 --- productdesign --- designtheorie --- zintuigen --- tastzin --- gehoor --- reuk --- smaak --- ontwerpmethodiek --- Sensation --- Sensory biology --- Sensory systems --- Knowledge, Theory of --- Neurophysiology --- Psychophysiology --- Perception --- Creation (Literary, artistic, etc.) --- Human factors --- productdesign, filosofie, esthetiek en kritiek --- MAD-faculty 18 --- opleiding art sense(s) lab --- designconcept --- geurkunst --- #SBIB:39A9 --- #SBIB:39A5 --- #SBIB:309H53 --- Medische antropologie / gezondheid / handicaps --- Kunst, habitat, materiële cultuur en ontspanning --- Niet-verbale communicatie
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Designers today are striving to transform our relationship with the natural world. While the modern industrial age gave way to designs that vastly improved human enterprise through technology, there were unintended and destructive consequences for the environment. Humans are intrinsically linked to nature yet our actions have frayed this relationship, forcing designers to think more intentionally and to consider the impact of every design decision, from an artifact's manufacture and use to its obsolescence. Designers are aligning with biologists, engineers, agriculturists, environmentalists and many other disciplines to design a more harmonious and regenerative future. Based on these new partnerships, designers are asking different questions and anticipating future challenges, which not only change the design process, but also what design means. 'Nature: Collaborations in Design' includes over sixty-five international projects from the fields of architecture, product design, landscape design, fashion, interactive and communication design, and material research. More than 300 compelling and exquisite photographs, illustrations and content from data visualizations illustrate seven essays, which explain and explore designers' strategies around understanding, simulating, salvaging, facilitating, augmenting, remediating and nurturing nature. Four conversations between scientists and designers delve into topics related to synthetic biology, scientific versus design lexicon, and recent shifts in the meaning of nature with a glossary illuminating scientific, technological and theoretical concepts and processes invoked by the designers. Exhibition: Cooper-Hewitt Museum, New York, USA & Cube Design Museum, Kerkrade, The Netherlands (10.05.2019-20.01.2020).
Design --- Sustainable design --- Human ecology --- Climatic changes --- Environmental aspects
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Devlin’s protean work is rooted in a lifelong practice of reading and drawing. From sketches in the margins of texts, be they poetry, drama, song lyrics, opera libretti, climate reports or endangered species lists, emerge the technically advanced, collectively imagined universes for which she is globally renowned. Fragile miniature paintings, paper cuts and small mechanical cardboard models form the seeds of some of the most iconic, large-scale, multi-disciplinary cultural manifestations in recent times, from public sculptures and installations at Tate Modern, Serpentine, V&A, Barbican, Imperial War Museum, and the Lincoln Center, to kinetic stage designs at the Royal Opera House, the Royal Ballet, the Metropolitan Opera, La Scala, and the National Theatre, as well as Olympic Ceremonies, Super Bowl half-time shows, and monumental illuminated stage sculptures for Beyoncé, The Weeknd, U2, Rosalía, Dr. Dre, and Kendrick Lamar. Devlin’s work is at once deeply personal and inherently collective. Over the past decade her art practice has engaged with biodiversity, linguistic diversity, and collective AI-generated poetry. She views the audience as a temporary society and encourages profound cognitive shifts by inviting public participation in communal choral works.
Devlin, Es --- Art --- Stage design. Scenography --- multimedia works --- scenography [discipline] --- popular culture --- Kinetic Art --- flats [theater elements]
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