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"A historic first showing outside Japan of Itō Jakuchū's thirty-scroll series Colorful Realm of Living Beings (c. 1757-1766) at the National Gallery of Art was the occasion for this collection of twelve essays that reimagine the concepts of the artist and art-making as they were understood in early modern Japan. During the Edo period (1600-1868), peace and economic stability under the Tokugawa shogunate allowed both elite and popular arts and culture to flourish in Edo (Tokyo) and Kyoto. The essays consider a wide range of art forms--screen paintings, scrolls, prints, illustrated books, calligraphy, ceramics, textiles--giving extended attention to Jakuchū's spectacular series as well as to works by a range of contemporary artists such as Ogata Kōrin, Nagasawa Rosetsu, Hon'ami Kōetsu, Tawaraya Sōtatsu, Katsushika Hokusai, and others. Selected contributions address issues of professional roles, including copying and imitation, display and memorialization, and makers' identities. Some explore the new form of painting, ukiyo-e, in the context of the urban society that provided its subject matter and audiences; others discuss the spectrum of amateur and professional Edo pottery and interrelationships between painting and other media. Together, they reveal the fluidity and dynamism of artists' identities during a time of great significance in the country's history." -- Publisher's description
Edo-Zeit --- Kunst --- Époque d'Edo (Japon ; 1600-1868) --- Art japonais --- Estampe --- Ukiyo-e --- Artistes japonais --- Art, Japanese --- Ukiyoe --- Hashirae --- Pillar prints (Ukiyoe) --- Ukioye --- Color prints, Japanese --- Genre painting --- Painting, Japanese --- Japanese art --- Andepandan (Group of artists) --- Kyūshū-ha (Group of artists) --- Ryu (Group of artists) --- Japan --- al-Yābān --- Giappone --- Government of Japan --- Iapōnia --- I︠A︡ponii︠a︡ --- Japam --- Japani --- Japão --- Japon --- Japonia --- Japonsko --- Japonya --- Jih-pen --- Mư̄ang Yīpun --- Nihon --- Nihon-koku --- Nihonkoku --- Nippon --- Nippon-koku --- Nipponkoku --- Prathēt Yīpun --- Riben --- State of Japan --- Yābān --- Yapan --- Yīpun --- Zhāpān --- Япония --- اليابان --- يابان --- 日本 --- 日本国 --- Jepun --- Social life and customs --- Yapon --- Yapon Ulus --- I︠A︡pon --- Япон --- I︠A︡pon Uls --- Япон Улс --- J6008.60 --- Japan: Art and antiquities -- history -- Kinsei, Edo, Tokugawa, early modern (1600-1867)
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"Explores the 17th-century consolidation of Japanese painting style by the Kanō artistic house, based on knowledge brought back from China by the monk-painter Sesshü and intertwined with native Japanese practices. Presents key factors in establishing the orthodoxy of the Kanō painters and their role in defining Japanese painting."--Publisher's description.
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Japan's Edo period (1615-1868) witnessed the arrival of peace after centuries of warfare, together with economic prosperity, population growth, and increased urbanization. The arts of the period flourished, reflecting and inflecting these fertile conditions. Painting Edo: Selections from the Feinberg Collection of Japanese Art explores this rich visual culture, highlighting works from an unparalleled collection to showcase the masters of various Edo schools and lineages. Beautiful illustrations punctuate the catalogue's essays: Yukio Lippit situates the works within a broad cultural history of early modern Japan, and Rachel Saunders focuses on a single artist, offering fresh perspectives on the late "bird-and-flower paintings" of Sakai Hoitsu. Together, these essays unpack the literary, artistic, and cultural histories that form the basis for how these masterful works would have been received in their time-and for how we can best understand them today.
Painting, Japanese --- Art, Japanese --- Feinberg, Robert --- Art collections --- Harvard Art Museums
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Architecture, Postmodern --- Architects --- Tange, Kenzō, --- Criticism and interpretation --- Architecture, Postmodern. --- Criticism and interpretation. --- 72.07 --- Postmodern architecture --- Architecten. Stedenbouwkundigen A - Z --- Tange, Kenzō, --- 丹下健三, --- Professional employees --- Architecture, Modern --- Postmodernism --- Tange, Kenzō, - 1913-2005 - Criticism and interpretation --- 丹下, 健三 --- Tange, Kenzō, - 1913-2005
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"Japanese Zen Buddhism and the Impossible Painting examines the emphasis in Zen Buddhist thought and practice on the illusoriness of the phenomenal world, a mistrust of pictorial representation that raises a quandary for the study Zen art. No work epitomizes this quandary more than The Gourd and the Catfish by the Zen monk-painter Josetsu. Painted around the year 1413 for the warrior-ruler of Japan at the time, the shogun Ashikaga Yoshimochi, it was installed in the shogun's private chapel along with a collection of more than thirty witty poetic responses by Kyoto's leading Zen monks. In this book, Yukio Lippit conducts a subtle investigation of the painting's subject matter, its innovative technique, how it was displayed, and the many literary and artistic responses it inspired. He explores the ways in which this artwork mobilizes new modes of artistic representation to pictorialize the nonsensical nature of Zen koans and, by extension, the relationship of such paintings to the religious, political, and artistic contexts at the center of medieval Japanese culture."--Publisher.
Ink painting, Japanese --- Zen painting --- Catfishes in art --- Josetsu, --- Criticism and interpretation.
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The Kano lineage of painters--the most important in Japan--was established in the late 15th century by Kano Masanobu (1434-1530) and continued for more than 400 years, until the early 20th century. Originally limited to successive generations of the Kano family, it soon developed into a school of professional artists. This is the first and most comprehensive book published outside of Japan to address the Kano painters. Lavishly illustrated, this important volume focuses on the large-scale screens and sliding doors that were designed for the residences of powerful rulers, together with smaller works such as scrolls, albums, and fans. These works-for sites including shogunate residences, Zen temples, teahouses, and homes of wealthy merchants-demonstrate the range of styles that Kano artists employed to suit the tastes of their varied patrons. Essays by leading scholars address the wide range of Kano motifs and styles and also consider the particular influence of Kano Tan'yu (1602-1684). A dictionary of Kano artists' seals and signatures, a type of resource published here for the first time, provides an important reference, as does an appendix of images from the most significant album by Tan'yu. Exhibition: Philadelphia Museum of Art, USA (14.2.-10.5.2015).
Kanō School --- Painting, Japanese --- Seals (Numismatics) --- Japanese painting --- Nihonga --- History. --- J6230 --- J6015.11 --- Japan: Art and antiquities -- painting and drawing -- Chinese schools --- Japan: Art and antiquities -- musea, exhibitions, collections, fairs in North America -- United States --- History
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