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Philosophy and psychology of culture --- United States --- Geographical perception --- Human geography --- Multiculturalism --- United States of America

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In Six Years Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology, into which is woven a rich collection of original documents including texts by and taped discussions among and with the artists involved and by Lippard, who has also provided a new preface for this edition. The result is a book with the character of a lively contemporary forum that provides an invaluable record of the thinking of the artists - an historical survey and essential reference book for the period. -- back cover.

Art [Conceptual] --- Art conceptuel --- Art povera --- Arte povera --- Concept art --- Conceptual art --- Conceptuele kunst --- Language art (Fine arts) --- Possible art --- Post-object art --- kunst --- twintigste eeuw --- installaties --- conceptuele kunst --- concept art --- Verenigde Staten --- 7.038 --- Modern [styles and periods] --- Conceptual --- Modern [style or period] --- conceptual artists --- Art --- anno 1900-1999 --- moderne kunst --- anno 1960-1969 --- anno 1970-1979 --- Art, Modern --- Art, Conceptual --- Performance art --- Earthworks (Art) --- Sky art --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Art [Modern ] --- 20th century --- Conceptual art. --- Art, Modern - 20th century

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Feminism and the arts --- Feminist art criticism --- Art criticism --- Feminist criticism --- Arts and feminism --- Arts --- Feminism and the arts. --- Feminist art criticism. --- Art --- Feminist art --- Artists --- Anthology --- Book

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Award-winning author, curator, and activist Lucy R. Lippard is one of America’s most influential writers on contemporary art, a pioneer in the fields of cultural geography, conceptualism, and feminist art. Hailed for “the breadth of her reading and the comprehensiveness with which she considers the things that define place” (The New York Times), Lippard now turns her keen eye to the politics of land use and art in an evolving New West.

Working from her own lived experience in a New Mexico village and inspired by gravel pits in the landscape, Lippard weaves a number of fascinating themes—among them fracking, mining, land art, adobe buildings, ruins, Indian land rights, the Old West, tourism, photography, and water—into a tapestry that illuminates the relationship between culture and the land. From threatened Native American sacred sites to the history of uranium mining, she offers a skeptical examination of the “subterranean economy.”

Featuring more than two hundred gorgeous color images, Undermining is a must-read for anyone eager to explore a new way of understanding the relationship between art and place in a rapidly shifting society.


Art --- Environmental planning --- photography [process] --- ecology --- politics --- community art --- landscapes [environments] --- raw material --- United States --- land art --- United States of America

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Artists --- 7.038 --- 7.07 --- 73.07 --- 741.07 --- 75.07 --- Arte Povera --- Catalogues raisonnés --- Hesse, Eva 1936-1970 (° Hamburg, Duitsland) --- Kunst ; van vrouwen ; 20ste eeuw --- Minimal Art ; Post-Minimal --- Process Art --- Schilderkunst ; beeldhouwkunst ; installaties ; 1960-1970 ; Eva Hesse --- Biography --- Kunstgeschiedenis ; 1950 - 2000 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldhouwkunst ; beeldhouwers A - Z --- Tekenkunst ; tekenkunstenaars A - Z --- Schilderkunst ; schilders --- Hesse, Eva, --- Art --- Hesse, Eva --- United States --- United States of America --- Book