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Art, Scandinavian

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video art --- motion pictures [visual works] --- Film --- play [recreation] --- Iconography --- Höller, Carsten

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Documentary practices make up one of the most significant and complex tendencies within art during the last two decades. Traditional documentary photography and film have been reinvented and reinvigorated by merging with traditions such as video, performance, and conceptual art. Such recent documentary works attest to a new diversity and complexity of forms, ranging from conceptual mockumentaries to reflexive photo essays, from split-screen slide shows to found-footage video reportage, from installations without any lens-based medium to printed matter. Many of them are about searching for suitable forms and methods for discussing social content, whether historical material or effects of recent political and economic upheaval. This anthology seeks to overcome the existing dispersion of texts on documentary practices and offer new perspectives on this crucial theme.

7.01 "19" --- 77.03 --- 77.03 Documentaire fotografie --- Documentaire fotografie --- 7.01 "19" Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- Exhibitions --- kunst --- eenentwintigste eeuw --- documentaire --- documentaire fotografie --- documentaire film --- video --- videokunst --- performances --- conceptuele kunst --- concept art --- mockumentary --- de Rijke Jeroen --- de Rooij Willem --- kunst en documentaire --- installaties --- 7.039 --- Documentary films --- Documentary mass media and the arts --- Documentary mass media and the arts. --- Documentary photography --- politique --- Fonds d'archives

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Hedlund, Björn

Taikon, Katarina

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Publié suite à l'exposition éponyme en 2019, qui a rassemblé plus de 100 œuvres du Malmö Konstmuseum réalisées entre 1880 et aujourd'hui, ce catalogue interroge le rôle de l'institution muséale et de ses collections vis-à-vis des phénomènes de migration et d'exil, partant de la démarche radicale du directeur du musée, Ernst Fischer, qui, en 1945, avait transformé le musée en un refuge pour les survivants des camps de concentration allemands, mais aussi de la collection lettone du musée, composée d'œuvres d'art acquises par solidarité avec la jeune nation balte et ses exilés How have artists over the past 150 years related to migration and exile ? And what role can a museum play in times of mass migration ? Taking as its starting point the 2019 exhibition 'Migration : Traces in an Art Collection', which featured more than a hundred works from Malmö Konstmuseum made between 1880 and today, this publication brings to light the radical approach of museum director Ernst Fischer, who in 1945 transformed the museum into a refugee shelter for survivors of German concentration camps. It also highlights the museum's long-forgotten Latvian Collection, comprised of art acquired in solidarity with the young Baltic nation and its exiles. Contrasting works by exiled artists such as Sonia Delaunay-Terk, Lotte Laserstein, Endre Nemes, and Peter Weiss further animate the discussion, as do the geopolitical concerns of Pia Arke, Öyvind Fahlström, and Charlotte Johannesson. Correspondingly, a conversation with the exhibition's curators foregrounds the ways in which today's artists reflect upon and articulate experiences of migration. Together, these re-readings of the collection and its potential contribute to an urgent debate on the role of museums in our time

Emigration and immigration in art --- Exiles in art --- Museums --- Social aspects --- Migration --- Musée --- Malmö --- Art --- art [fine art] --- wars --- migration [function] --- art collections --- exile [sociological concept] --- Malmö Art Museum --- Museums - Social aspects --- art [discipline]