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This book offers a thorough and thought-provoking study on the impact of Japanese colonialism on Taiwan’s literary production from the 1920s to 1945. It redresses the previous nationalist and Japan-centric interpretations of works from Taiwan’s Japanese period, and eschews a colonizer/colonized dichotomy. Through a highly sensitive textual analysis and contextual reading, this chronologically structured book paints a multi-layered picture of colonial Taiwan’s literature, particularly its multi-styled articulations of identities and diverse visions of modernity. By engaging critically with current scholarship, Lin has written with great sentiment the most complete history of the colonial Taiwanese literary development in English.
Chinese literature --- History and criticism. --- History and criticism
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S01/0600 --- S11/1450 --- S02/0220 --- China: Bibliography and reference--Books, printing, editing and paper --- China: Social sciences--Journalism and the press --- China: General works--Intellectuals: after 1949 --- Printing --- Capitalism --- Intercultural communication --- Transnationalism --- Social aspects --- History --- China --- Taiwan --- Relations --- Intellectual life
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Print, Profit, and Perception examines the dynamic cross-cultural exchanges occurring in China and Taiwan from the first Sino-Japanese War to the mid-twentieth century. Drawing examples from various genres, this interdisciplinary volume presents nine empirically grounded case studies on the growth in the production, dissemination and consumption of texts, which lay behind a dramatic expansion of knowledge. The chapters collectively address the co-existence of globalization and localization processes in the period. By taking into account intra-Asian cultural encounters and tracing the multiple competing forces encountered by many, this book offers a fresh and compelling take on how individuals and social groups participated in transnational conceptual flows. Contributors include: Paul Bailey, Che-chia Chang, Elizabeth Emrich, Tze-ki Hon, Max K.W. Huang, Mei-e Huang, Mike Shi-chi Lan, Pei-yin Lin, and Weipin Tsai.
Printing --- Capitalism --- Intercultural communication --- Transnationalism --- Market economy --- Economics --- Profit --- Capital --- Printing, Practical --- Typography --- Graphic arts --- Trans-nationalism --- Transnational migration --- International relations --- Cross-cultural communication --- Communication --- Culture --- Cross-cultural orientation --- Cultural competence --- Multilingual communication --- Technical assistance --- Social aspects --- History --- Anthropological aspects --- China --- Taiwan --- Relations --- Intellectual life
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This collection examines literature and film studies from the late colonial and early postcolonial periods in Taiwan and Korea, and highlights the similarities and differences of Taiwanese and Korean popular culture by focusing on the representation of gender, genre, state regulation, and spectatorship. Calling for the “de-colonializing” and “de–Cold Warring” of the two ex-colonies and anticommunist allies, the book places Taiwan and Korea side by side in a “trans-war” frame. Considering Taiwan–Korea relations along a new trans-war axis, the book focuses on the continuities between the late colonial period’s Asia-Pacific War and the consequent Korean War and the ongoing conflict between the two sides of the Taiwan Strait, facilitated by Cold War power struggles. The collection also invites a meaningful transcolonial reconsideration of East Asian cultural and literary flows, beyond the conventional colonizer/colonized dichotomy and ideological antagonism.
Popular culture --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Ethnology-Asia. --- Motion pictures-History. --- Asia-History. --- Asian Culture. --- Film History. --- Asian History.
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This collection examines literature and film studies from the late colonial and early postcolonial periods in Taiwan and Korea, and highlights the similarities and differences of Taiwanese and Korean popular culture by focusing on the representation of gender, genre, state regulation, and spectatorship. Calling for the “de-colonializing” and “de–Cold Warring” of the two ex-colonies and anticommunist allies, the book places Taiwan and Korea side by side in a “trans-war” frame. Considering Taiwan–Korea relations along a new trans-war axis, the book focuses on the continuities between the late colonial period’s Asia-Pacific War and the consequent Korean War and the ongoing conflict between the two sides of the Taiwan Strait, facilitated by Cold War power struggles. The collection also invites a meaningful transcolonial reconsideration of East Asian cultural and literary flows, beyond the conventional colonizer/colonized dichotomy and ideological antagonism.
Ethnology. Cultural anthropology --- Film --- History of civilization --- History --- History of Asia --- filmgeschiedenis --- niet-westerse cultuur --- etnologie --- wereldgeschiedenis --- populaire cultuur --- film --- geschiedenis --- China --- Taiwan --- Asia
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Ethnology. Cultural anthropology --- Film --- History of civilization --- History --- History of Asia --- filmgeschiedenis --- niet-westerse cultuur --- etnologie --- wereldgeschiedenis --- populaire cultuur --- film --- geschiedenis --- China --- Taiwan --- Asia
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