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Art patronage --- Art --- J6001 --- J6008.60 --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Art and industry --- History --- Political aspects --- Japan: Art and antiquities -- policy, legislation, guidelines, codes of behavior --- Japan: Art and antiquities -- history -- Kinsei, Edo, Tokugawa, early modern (1600-1867) --- Kyoto (Japan) --- Kioto (Japan) --- Kyōto-shi (Japan) --- Ching-tu (Japan) --- Kyŏngdo (Japan) --- Civilization --- Art, Primitive

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This volume aims to question, supplement, and revise current understandings of the relationship between aesthetic and political operations. The authors transcend disciplinary boundaries and nurture a wide-ranging sensibility about art and sovereignty, two highly complex and interwoven dimensions of human experience that have rarely been explored by scholars in one conceptual space. Chapters consider the intertwining of political structures and modernist artistic forms, including the relationships between nationalism and official portraiture, museums and cultural property, and territoriality and architectural history. Other chapters examine populist politics that emerged as art became commercialized and mediated, engaging industrial design and popular entertainment industries, and producing national and minority cinema, ethnic crafts for domestic markets, and performance art that contests national citizenship. In exploring the nexus of art and sovereignty, contributors highlight power relations and provide critical commentary on repercussions of colonialism and notions of universal truths rooted in Western ideals. By interfering with established dichotomies related to art and sovereignty, all contributors fuel a resistance to traditional definitions of “Art” and encourage a new perspective on the co-constitution of artworks and practices of sovereignty. .

Political science. --- Fine arts. --- Globalization. --- Markets. --- Political theory. --- Democracy. --- World politics. --- International relations. --- Political Science and International Relations. --- Political History. --- Fine Arts. --- International Relations. --- Political Theory. --- Emerging Markets/Globalization. --- Power (Social sciences) --- Sovereignty. --- World politics --- Coexistence --- Foreign affairs --- Foreign policy --- Foreign relations --- Global governance --- Interdependence of nations --- International affairs --- Peaceful coexistence --- World order --- National security --- Sovereignty --- Global cities --- Globalisation --- Internationalization --- International relations --- Anti-globalization movement --- State sovereignty (International relations) --- International law --- Political science --- Common heritage of mankind (International law) --- Self-determination, National --- Empowerment (Social sciences) --- Political power --- Exchange theory (Sociology) --- Social sciences --- Sociology --- Consensus (Social sciences) --- Law and legislation --- Administration --- Civil government --- Commonwealth, The --- Government --- Political theory --- Political thought --- Politics --- Science, Political --- State, The --- Self-government --- Equality --- Representative government and representation --- Republics --- Colonialism --- Global politics --- International politics --- Political history --- World history --- Eastern question --- Geopolitics --- International organization --- Public markets --- Commerce --- Fairs --- Market towns

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