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"Since his rediscovery in the later half of the nineteenth century, Johannes Vermeer (1632-1675) has been one of the most admired and influential European painters. His extremely private life, his supposed use of a camera obscura, and the fact that his teacher remains unidentified have, until recently, encouraged a view of the 'Sphinx of Delft' as an isolated genius shrouded in an air of mystery. Walter Liedtke's new monograph reveals Vermeer's life to be well documented and places his work in the context of the Delft School and of Delft society as a whole. Vermeer's many admirers will relish Liedtke's exploration of subtleties of meaning and refinements of technique and style. Alongside the most historical approach to Vermeer to date, the annotated colour catalogue of Vermeer's complete paintings reveals a master whose rare sensibility may be described but not explained."--Jacket.

Vermeer, Johannes --- Painters --- Vermeer, Johannes, --- Van der Meer, Jan, --- Van der Meer van Delft, Jan, --- Vermeer, Jan, --- Vermeer van Delft, Jan, --- Meer, Jan van der, --- Der Meer, Jan van, --- Vermeer de Delft, Jan, --- Vermer Delftskiĭ, Ĭokhannes, --- Vermer, Ĭokhannes, --- Ferumēru, Yohanesu, --- フェルメール, ヨハネス, --- Criticism and interpretation. --- Delft (Netherlands) --- Delphis Batavorum (Netherlands) --- E-books --- Vermeer, Johannes.

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Art, Modern --- Art --- Horsemanship in art --- Horses in art --- 7.04 --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Iconography --- Sculpture --- Painting --- equestrian statues --- equestrians --- horseback riding --- Equus caballus [species] --- ruiterportretten --- anno 1500-1799 --- equestrian portraits

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Art --- History --- Metropolitan Museum of Art [New York, N.Y.]

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Painting --- History --- early works --- Jordaens, Jacob --- anno 1600-1699 --- Flanders --- Jordaens, Jacques

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book review --- Hohenbuchau collectie --- Liechtenstein Museum [Vienna]