Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In A Vocabulary of Desire , Laura Lieber offers a nuanced, multifaceted and highly original study of how the Song of Songs was understood and deployed by Jewish liturgical poets in Late Antiquity (ca. 4th-7th centuries CE). Through her examination of poems which embellish and even rewrite the Song of Songs, Lieber brings the creative spirit-liturgical, intellectual, and exegetical-of these poems vividly to the fore. All who are interested in the early interpretation of the Song of Songs, the ancient synagogue, early Jewish and Christian hymnography, and Judaism in Late Antiquity will find this volume both enriching and accessible. The volume consists of two interrelated halves. In the first section, four introductory essays establish the broad cultural context in which these poems emerged; in the second, each chapter consists of an analytical essay structured around a single, complete poetic cycle, presented in new Hebrew editions with annotated original English translations. 'The Hebrew text edition is accompanied by a lucid and poetic English translation with annotations and a commentary. In this excellent, scholarly text edition, the commentary is focused and to the point...This reviewer highly recommends this monograph to scholars interested in the early synagogue and its liturgy, late antique and medieval Hebrew poetry, rabbinic Judaism, and early Christianity. The book invites further comparative work in these areas.' Rivka B. Ulmer, H-Judaic, H-Net Reviews. May, 2015.

Piyutim --- 296*512 --- 296*515 --- 933.52 --- 223.6 --- Piyyutim --- Hebrew poetry, Medieval --- Hymns, Hebrew --- Jewish hymns --- Jewish religious poetry, Hebrew --- Judaism --- Criticism, Textual. --- Synagogale schriftlezingen --- Geschiedenis van de joodse liturgie en verschillende riten: Asjkenazi; Sefardisch; Jemenitisch --- Geschiedenis van het Joodse volk: Byzantijnse tijd--(325-638) --- Hooglied --- Liturgy --- Biblia --- Criticism, interpretation, etc. --- 933.52 Geschiedenis van het Joodse volk: Byzantijnse tijd--(325-638) --- 296*515 Geschiedenis van de joodse liturgie en verschillende riten: Asjkenazi; Sefardisch; Jemenitisch --- Bible. Song of Solomon -- Criticism, interpretation, etc. --- Judaism -- Liturgy -- Texts. --- Piyutim -- Criticism, Textual. --- Religion --- Philosophy & Religion --- Criticism, Textual --- Bible. --- Aga-sŏ (Book of the Old Testament) --- Asma Asmatōn (Book of the Old Testament) --- Cantar de los Cantares de Salomón (Book of the Old Testament) --- Cântarea-a Cântărilor (Book of the Old Testament) --- Cantica Canticorum (Book of the Old Testament) --- Canticle of Canticles (Book of the Old Testament) --- Canticles (Book of the Old Testament) --- Cantico dei Cantici (Book of the Old Testament) --- Canticum Canticorum Salomonis (Book of the Old Testament) --- Cantique des Cantiques (Book of the Old Testament) --- Énekek Éneke (Book of the Old Testament) --- Erg Ergotsʻ Soghomoni (Book of the Old Testament) --- Hohelied (Book of the Old Testament) --- Hooglied (Book of the Old Testament) --- Lied der Lieder (Book of the Old Testament) --- Musthikaning Kidung anggitane Sang Prabu Suleman (Book of the Old Testament) --- Musthikaning Kidung (Book of the Old Testament) --- Nashīd al-Anāshīd (Book of the Old Testament) --- Nashīd al-Anshād (Book of the Old Testament) --- Shir ha-Shirim (Book of the Old Testament) --- Solomon, Song of (Book of the Old Testament) --- Song of Solomon (Book of the Old Testament) --- Song of Songs (Book of the Old Testament)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"An anthology of annotated English translations of fifty-five Classical Samaritan poems"--

Hymns, Samaritan Aramaic --- Samaritan religious poetry --- Religious poetry --- Samaritan Aramaic hymns

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Staging the Sacred examines the importance of Christian, Jewish, and Samaritan liturgical poetry from Late Antiquity through the lenses of performance, entertainment, and spectacle. Laura Lieber proposes an account of hymnody as a performative and theatrical genre, combining religious and theatrical studies to examine how performers creatively engaged their audiences, utilized different modes of performance, and created complex characters through their speeches. To truly consider performance and engage with these poems fully, Lieber urges readers to imagine the world beyond the page. While poetry and hymnody from Late Antiquity are usually presented in textual form, Lieber moves away from studying the text on its own, engaging instead with how these poems would have been performed and acted. The specific literary techniques associated with oratory and acting in Late Antiquity, such as apostrophe and vivid imagery, help craft a more accurate idea of liturgical presentations. Lieber suggests ways that these ancient poets could have used their physical spaces of performance by borrowing from the gestures and body language of oratory, mime, and pantomime. A highly interdisciplinary study that will appeal to scholars across religion, theatre, literature, and beyond, Staging the Sacred proposes a novel interpretation of Late Antique hymnody and poetry as a performative genre, akin to oratory, theatre, and other modes of public performance, placing these works in their wider societal context.r.

Religious poetry --- Theater --- History and criticism --- History --- Catholic Church --- Catholic Church. --- Hymns --- History and criticism. --- To 500

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)