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Art --- anno 1800-1999

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Painting --- painting [image-making] --- studios [work spaces] --- painters [artists] --- Artists --- anno 1800-1899 --- anno 1900-1999

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Penn, Irving

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In 1941 Penn, then an associate in Vogue 's art department handling the magazine's layouts, was encouraged by Alexander Lieberman to pick up a camera and do the actual photography instead. Since then, he has been producing images at once penetrating and mysterious. While Penn's incisive portraits of both the famous and the unknown--particularly ethnic peoples he posed carefully in studios--capture the specifics even as he renders the sitters timeless, his graceful yet boldly inventive fashion photography has gone far beyond the standard expectations of that genre. In fact, perhaps the most remarkable aspect of this overview is its demonstration that, in the hands of a master, the line between fashion photography and art photography simply does not exist. Penn provides some rather brief commentary on the images displayed here, but the photographs themselves--thoughtfully laid out, beautifully reproduced--make the book. For all libraries that collect photography books seriously. 
*- Barbara Hoffert, "Library Journal"*


Irving Penn °1917 (Plainfield, New Jersey, USA) --- Fotografen ; modefotografie ; Irving Penn --- 77.092.07 --- Fotografen A - Z --- fotografie --- twintigste eeuw --- Verenigde Staten --- Penn Irving --- portretfotografie --- reportagefotografie --- stillevens --- modefotografie --- 77.071 PENN --- Photography --- photography [process] --- fashion photography --- artistieke fotografie --- Penn, Irving

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Art, Modern --- Art, Modern