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'Kay Li's study of Bernard Shaw's relationship with a number of leading Chinese figures and the assimilation of his plays into Chinese culture is a significant addition to her important previous work on Shaw and China. This new book expertly situates Shaw in wide-ranging spheres of Chinese culture, while also demonstrating the complexities of cross-cultural literary relations. It is a major contribution not just to Shaw studies but to interdisciplinary approaches to cultural dialogue.' - L.W. Conolly, Fellow of the Royal Society of Canada, Emeritus Professor of English, Trent University, Ontario, Canada and Honorary Fellow, Robinson College, University of Cambridge, UK This book explores the cultural bridges connecting George Bernard Shaw and his contemporaries, such as Charles Dickens and Arthur Miller, to China. Analyzing readings, adaptations, and connections of Shaw in China through the lens of Chinese culture, Li details the negotiations between the focused and culturally specific standpoints of eastern and western culture while also investigating the simultaneously diffused, multi-focal, and comprehensive perspectives that create strategic moments that favor cross-cultural readings. With sources ranging from Shaw's connections with his contemporaries in China to contemporary Chinese films and interpretations of Shaw in the digital space, Li relates the global impact of not only what Chinese lenses can reveal about Shaw's world, but how intercultural and interdisciplinary readings can shed new light on familiar and obscure works alike.

Sociology of culture --- Didactics of the arts --- Ethnology. Cultural anthropology --- Theatrical science --- Comparative literature --- History of civilization --- History --- niet-westerse cultuur --- etnologie --- theater --- cultuur --- geschiedenis --- literatuur --- Europese cultuur --- Shaw, George Bernard --- Great Britain --- Europe --- Asia

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This project is the first to explore how Bernard Shaw intersects constructively with automata, robots and artificial intelligence (AI). Shaw was born in the golden age of the automaton. His Bible on the Life Force and Creative Evolution, Back to Methuselah, was written when Karel and Josef Čapek coined the word “robot.” Shaw’s life ran in parallel with the rise of AI, and the big names in AI were his contemporaries. Moreover, empirical analyses of Shavian texts and images using AI uncovers possibilities for new interpretations, demonstrating how future renditions of his works may make use of these advanced technologies to broaden Shaw’s audience, readership and scholarship. Kay Li is an established Shaw scholar and Adjunct Professor in the Department of English at University of Toronto, Canada. She is one of the founding members of the International Shaw Society, is the Project Leader of the SAGITTARIUS–ORION Digitizing Project on Bernard Shaw funded by the Social Sciences and Humanities Research Council of Canada, and the Arts and Artificial Intelligence project funded by Canadian Heritage. Her books include Bernard Shaw and China: Cross-Cultural Encounters (2007) and Bernard Shaw’s Bridges to Chinese Culture (Palgrave Macmillan, 2016). Kay has also published many articles in peer-reviewed journals, especially in SHAW: The Journal of Bernard Shaw Studies. .

Artificial intelligence in literature. --- Robots in literature. --- Shaw, Bernard, --- Criticism and interpretation. --- Playwriting. --- Dramatists. --- Theater --- Artificial intelligence. --- Technology --- Playwrights and Playwriting. --- Theatre History. --- Artificial Intelligence. --- Science, Technology and Society. --- History. --- Sociological aspects.