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Manuel Puig y la mujer araña: su vida y ficciones
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ISBN: 8432208701 Year: 2002 Publisher: Buenos Aires Seix Barral

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Puig, Manuel

Manuel Puig and the Spider Woman : his life and fictions
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ISBN: 0571176666 Year: 2000 Publisher: London : Faber and Faber,

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Puig, Manuel,

The subversive scribe : translating Latin American fiction
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ISBN: 1555971466 Year: 1991 Publisher: Saint Paul (Minn.) : Graywolf Press,

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Guía de Adolfo Bioy Casares
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ISBN: 8424503244 Year: 1982 Publisher: Madrid

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Manuel Puig and the spider woman : his life and fictions
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ISBN: 0374281904 Year: 2000 Publisher: New York : Farrar, Straus and Giroux,

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Fonds Suzan Daniel (FSD)

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El espejo hablado : un estudio de Cien años de soledad
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Year: 1975 Publisher: Caracas Monte Avila

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Betrayed by Rita Hayworth
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ISBN: 0099341905 Year: 1984 Publisher: London : Arrow books,

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Argentina --- Fiction.

Escriba subversiva : una poética de la traducció
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ISBN: 9681651766 9789681651763 Year: 1998 Publisher: México: Fondo de cultura econòmica,

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Holy place
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ISBN: 0525475281 Year: 1972 Publisher: New York Dutton

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From Cuba with a song
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ISBN: 1557131589 Year: 1994 Publisher: Los Angeles : Sun & Moon Press,

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Born in eastern Cuba, Sarduy studied at the University of Havana, and, with Guillermo Cabrera Infante, was one of the few writers involved in the fight against Batista. At an early age he was made publisher of the Lunes de Revolucion, the official organ of the 26th of July Movement. In 1960 he left for Paris.In Paris Sarduy became the editor of the Latin American collection of Editions du Seuil, and became involved with the Tel Quel group. Among the books he introduced to the French were Gabriel Garcia Marquez's One Hundred Years of Solitude and Lezama Lima's Paradiso. Sarduy himself, meanwhile, published several works including Escrito sobre un cuerpo (Written on a Body), Maitreya, Colibri, La simulacion, Overdose, and Daiquiri, a book of poems that uses Baroque prosody to describe gay sex in explicit terms. De Donde son los cantantes (From Cuba with a Song) was Sarduy's first truly experimental work. Divided into three sections, each corresponding to the ethnic groups that make up Cuban nationality (Spanish, African, and Chinese), the book explores the disparate elements at work in Latin American culture. Culture, for Sarduy, is a series of radical and often violent displacements and errors. Transvestitism becomes the common denominator as a symbol of transformation (physical and spiritual) and delusion. As Gonzalez Echevarria observes, "In De Donde son los cantantes, the characters look as if they're made up for a carnival that will let loose their deepest and weirdest fantasies. Sarduy's novel exposes the complicity between the novel's conventions and society's patriarchal structure. He denounces the quest for Latin American identity as yet another ideological maneuver by essentially epic novelists who want to strengthen the hold of the mechanisms of authority."

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