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75.07 --- Schilderkunst ; 1960-2010 ; Mel Ramos --- Ramos, Melvin °1935 (°Sacramento, California, Verenigde Staten) --- Pop-Art --- Pin-ups --- Cartoons ; comics --- Schilderkunst ; schilders --- Painting --- Pop [fine arts styles] --- pop-art --- Ramos, Mel --- anno 1900-1999
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Art --- Wesselmann, Tom
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Art, European --- Romanov, House of --- Art --- Art collections --- Private collections --- Gosudarstvennyĭ Ėrmitazh (Russia)
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Pop art --- Women in art --- Jones, Allen,
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Belle Époque. --- Toulouse-Lautrec, Henri de. --- Montmartre.
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A travers plusieurs essais d'historiens, de critiques et de sociologues, le catalogue propose une lecture approfondie de l'oeuvre du peintre B. Buffet et analyse son rapport à la peinture d'histoire et à l'histoire de la peinture, la réception de son oeuvre, sa personnalité, etc. ©Electre 2017
Buffet, Bernard --- Catalogues d'exposition --- Painting, French --- Peinture française --- Buffet, Bernard, --- Mathieu, Georges --- Peinture française --- Buffet, Bernard. --- Mathieu, Georges.
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Quando Henri de Toulouse-Lautrec si trasferì a Parigi, divenne presto un vero e proprio narratore della vita nella capitale francese, un pittore dell’affascinante demi-monde e dei suoi luoghi: i veri atelier del suo lavoro furono gli ippodromi, i circhi, i teatri di musica e di prosa, i cabaret e i bordelli.In soli dieci anni, fino alla sua morte nel 1901, l’artista produsse 368 stampe e poster litografici che considerò sempre d’importanza pari a quella dei suoi dipinti e disegni. Quando Toulouse-Lautrec iniziò a sperimentare la litografia, i suoi contemporanei, artisti affermati come Alfons Mucha e Théophile-Alexandre Steinlen, si servirono della medesima tecnica e riuscirono anch’essi a creare dei veri capolavori. Nel corso della vita di questi artisti e per merito del loro lavoro, le stampe litografiche e i poster acquisirono un nuovo status, da semplici strumenti pubblicitari a nuovo genere artistico di riconosciuto valore When Henri de Toulouse-Lautrec moved to Paris, he soon became a real chronicler of Parisian life. He was a painter who captured the exhilarating society of le demi-monde and its establishments: racecourses, circus tents, theatres and opera houses, cabarets and brothels which became his ateliers.In only ten years, up to his death in 1901, he produced 368 prints and lithograph posters, which he considered of equal importance to his paintings and drawings. When Toulouse-Lautrec started to experiment with lithography, his contemporaries, well-known artists like Alfons Mucha or Théophile-Alexandre Steinlen did so as well, and they too succeeded in creating true masterpieces. During their lifetimes, and because of their work, lithographs and posters were elevated from the status of mere mass advertising media to an accepted artistic genre
Posters, French --- Posters --- Lithography, French --- Lithography --- Exhibitons --- Exhibitions. --- Exhibitions
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Photo-realism --- Sculpture, Modern --- Sculpture --- Hyperréalisme. --- Corps humain --- Dans l'art
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